Reflection

Majd Kara
Technique: Acrylic on canvas
Dimensions: 100x70 cm
€1,490.00

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More about this artwork

The painting depicts a partial figure, which appears to be female, captured from the back and side. Her head is bowed in a thoughtful or contemplative pose, casting her features in shadow and masking her expression. The skin is painted with realistic textures, suggesting the natural aging of flesh, with shadows that contour her neck, shoulder, and back muscles in a subtle interplay of light and dark. She is wearing a garment with broad stripes in shades of beige, orange, and olive, which clings to her form, accentuating the gentle curves of her body.The background and base of the painting are abstract, using geometric shapes—a sharp triangle cuts prominently across the canvas in deep blue, contrasting with the otherwise muted and pastel palette of the piece. The use of color and shape contributes to a feeling of introspection and quietude, possibly reflecting the internal state of the subject. The overall composition and the stark division of space suggest a dichotomy, perhaps between reality and perception, or between the external world and the inner self.

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Artist

Majd Kara is a Syrian-born painter based in Vilnius, who studied at the Faculty of Fine Arts of Damascus University. He has been living in Lithuania since 2016 and has already held three solo exhibitions and participated in several group exhibitions.

"My paintings, each in its own way, deal with the idea of human transformation and spiritual rebirth. As soon as we are born, we begin a long and transformative journey. Spiritual change is stimulated by society, religion, politics, shocking experiences. And also the people we meet. Each painting is a window into a particular process of human transformation," says the artist about his work.

Kara expresses all this through deformed bodies, their parts separated from the whole. Note that these bodies are often missing their heads, or they have been replaced by running, flowing patches of paint, as if one has disappeared only to be replaced by another. Or you could look at it another way - the real change is not in the mind. These motifs are often accompanied by a blood-red tinge as a sign that the change, the transformation, is not something easy, but inevitable. With his combinations of shapes, compositions and colours, the artist seeks to perplex the viewer and stir his thoughts.