Egretta alba II

Technique: Acrylic on canvas
Dimensions: 70x50 cm
€1,130.00

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The painting features an elegant egret, rendered in a graceful, elongated form that dominates the composition. Its plumage is depicted in fine, detailed strokes of white and soft grays, giving a realistic texture and feathering effect. The bird's neck curves smoothly upwards, leading to a sharply pointed, vivid orange beak and a bright, focused eye that imparts a sense of alertness. The background is a deep, flat green that contrasts sharply with the egret's light coloring, emphasizing the bird's delicate and refined features. The legs, visible at the bottom of the frame, are slender and colored a subtle yellow, complementing the beak. Fine lines around the egret suggest movement or a gentle breeze riffling through its feathers.

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Laima Žeimienė develops two very different styles and genres of painting. The first one is photographic precision images of animals, which require not only knowledge of technique, but also great care. The artist herself says:


"I am drawn to the pure earthiness, the fleshly form, the animalism. I don't pull my characters out of the realm of supernatural fantasy, I don't try to transcend reality to achieve the extraordinary. In my laboratory, I "grow animals hair by hair". I try to paint the tiniest details, barely visible to the eye, with microscopic consistency, just photographically. On canvas, I recreate a natural existence, a perfect creation of nature - an animal."


The second strand of her work is cast abstraction, which also seeks to reveal natural phenomena, but in a completely different way:


"The colourful culture, philosophy, meditative practice and proximity to nature of the Far East inspired another theme in my paintings - flow. The paint is poured freely, flows untouched and pools to reveal hidden shapes, colours and textures. The unrestricted flow of colour and controlled chance create a work that depicts nature and its phenomena. I call this way and technique of painting a meditation, where the process itself, the direct experience, is everything: here and now."