Bernardinai Street

Technique: Oil on canvas
Dimensions: 50x40 cm
€554.00

Pay now or in 4 installments of 138,50 €

Tax included
Ready to hang on the wall
Recommended by our customers
Offer your price
Request more photos of the artwork

More about this artwork

The painting displays a vibrant, expressionistic view of an urban street, likely captured during the daytime given the luminous skies and bright colors. The perspective leads the viewer's gaze down a narrow alley flanked by tall buildings with textured, uneven facades painted in hues of yellow, orange, and burgundy. The cobblestone path, rendered in thick strokes of blue and white, enhances the rustic charm of the scene. The sky, depicted in sweeping, tumultuous blue strokes, adds a dynamic and somewhat dramatic effect, suggesting movement or perhaps the onset of a storm. In the distance, a small figure can be seen walking, adding a human element to the urban landscape. The entire composition conveys a sense of depth and immersive texture, inviting the observer to explore the nuances of the city’s architecture and atmosphere.

Shipping

We offer worldwide shipping through TNT / FedEx couriers! For the European Union, expect delivery within 5-7 days right to your doorstep. Every package comes with a tracking number and full insurance for peace of mind. We have experience shipping to nearly every country in the EU, so don't hesitate to reach out if you have any inquiries!

For destinations outside the European Union, shipping typically takes around two weeks or slightly longer, depending on your location relative to Europe. Rest assured, all paintings are securely insured and sent in tracked packages. Please note that additional import taxes may apply for shipments outside the EU, and the recipient will be responsible for these charges. We've successfully shipped paintings to numerous countries worldwide. Should you have any questions, please feel free to contact us at any time!

Return

We gladly accept returns! Ensuring your satisfaction with your purchase is our top priority. You may return items within 30 days of receiving and delivering them. Moreover, understanding that the painting you acquire will likely remain with you for an extended period, we are open to accommodating most returns even beyond the 30-day window.

If you wish to return a painting, please reach out to us, and we will gladly assist you in determining the most efficient solution for shipping and managing the return process!

"I have been drawing since I was a child. My first teacher was my father. A good teacher. He used to repeat the rule - "Don't waste paper, don't waste paints!". It helps to get free. 

From the first grade he put me in the art class. But the real voluntary painting started at the age of 15, when I read all Henri Perouche's books on the life of the Impressionists. Irving Stone's book "The Lust of Life", about the life of Vincent Van Gogh, was a particular inspiration. I couldn't stop. 

I went through the whole "Academy" - academic drawing and painting studies - in the private studio of Vytautas Pečiukonis (Agnus Alegrus), a truly special artist and teacher. The door was open to me day and night," the painter introduces himself.

Vincas Andriušis says that, above all, painting must breathe. A work of art must be alive, not tortured. So, naturally, it has to be done at a fast pace, in the same day, while the emotion is alive, while the urge is alive, while the inspiration is overwhelming. As the artist himself says, before the mind can intervene. The Impressionists and Expressionists who inspire his work would agree with this statement. And while it would seem that a painting that has been painted for longer is more valuable, the artist himself thinks the opposite - that the greatest mastery is to paint quickly.

 The change in the artist's technique - painting with a spatula - is perfect for this purpose, freeing me from too much detail, giving me more freedom. Moreover, working with a trowel makes it easier to give relief to the paintings, so that the paintings change according to the lighting.

Naturally, the artist likes to work from life, and most of his landscapes are painted in nature. These working conditions also encourage the artist to work quickly, as the lighting is constantly changing and the artist must not play around. The artist tries to convey the vibrations of nature with flickering brushstrokes, which sometimes get busy and begin to swirl in eddies, just like in the paintings of Van Gogh, whom he admires. And the bright colours give the works not only liveliness but also a dramatic sound.