Oil on canvas
140x100 cm
Sold €2,570.00
Terra Nullius
Technique: Oil on canvas
Dimensions: 160x110 cm
€3,650.00
Pay now or in 4 installments of 912,50 €
Tax included
More about this artwork
The painting portrays a dilapidated interior, possibly an abandoned room or small warehouse. The walls are crumbling, with patches of peeled paint and exposed brick. A dominating feature is a large skylight at the ceiling, allowing natural light to illuminate the space, revealing a scene of neglect and overgrowth. Various debris, including broken furniture, old newspapers, and discarded objects, litter the floor. Foliage grows unchecked throughout the space, suggesting long-term abandonment. A prominent blue door stands closed against one wall, adding a splash of color to the otherwise muted green and earth tones that fill the room. An enigmatic, circular object is mounted high on the opposite wall, possibly a clock or decorative piece, overwatching the scene of decay and natural reclamation.
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Painting in the interior
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Mantas Daujotas (b. 1993) is a painter and musician from Kaunas. Mantas Daujot, who graduated in 2017 with a Bachelor's degree in Painting, has held a couple of solo exhibitions and participated in several group exhibitions, is an active and promising young artist.
Although his subjects vary from empty buildings and streets to an albino crocodile, they all share the same mood, the same emptiness, the same oppressive silence, betraying the strong inner anxiety that is so common in the contemporary world. Time seems to stand still in them, everything is suspended in an indescribable space-time. In this way, the author conveys the themes of loneliness, seclusion and existential anxiety.
"My paintings do not depict what is, what has happened, what is screaming and screaming for attention, but what is not. The main character in them is 'life', because that is what we miss when we look at empty spaces. I am talking about a whole range of human emotions, the vicissitudes of relationships, the impulses of agreement and disagreement, which is why we are standing here in front of a monumental, grand and not so grand, sports palace building. In other words, loneliness as a human unity with the surrounding environment and the emotional content of that relationship, not as a straightforwardly sad experience."
Lithuanian Artists’ Association Member
This artist was acknowledged by the Ministry of Culture of the Republic of Lithuania
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