Imagined no. 4

Technique: Ink and pigment on a handmade Japanese paper Kunigawa and Xuan, mounted on canvas
Dimensions: 24x24 cm
€248.00
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Lithuanian Art Gallery Paveikslai.lt
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More about this artwork

This painting by Indrė Beinartė, titled "Imagined no. 4," features an abstract composition. Various pieces of textured paper overlap each other, creating a collage. Some pieces are stained or weathered. There are soft tan colors and stark whites. A deep greenish-black area adds a contrasting color to the bottom of the artwork.Beinartė's use of materials gives a tactile quality to the work. The arrangement evokes a sense of aged documents or historical fragments put together in a new way. The style is minimalist, emphasizing texture and subtlety. This piece suggests themes of memory or the passage of time through its visual presentation of worn and layered materials.

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Artist

Monochrome ink painting is the basis of the artist’s artistic expression. It allows to capture the essence of an object, leaving aside unnecessary details, finding depth in simplicity, in emptiness, in unfilled space.

In her work, she strives to embody the principles of Japanese aesthetics, which are manifested in her work through minimalist compositions, subtlety, and calligraphic strokes. Working with sumi ink and handmade paper (xuan, washi), she mounts the paintings on linen and canvas, occasionally incorporating elements of natural wood. She mainly depicts motifs from East Asian landscapes and typical elements of the Lithuanian landscape that are so close to her heart - cranes, herons, lush grassy hills. She relies on the inner emotion conveyed by the brush itself - the brush dances and the ink sings. Then a hill appears in one place, a lakeside or a fisherman's boat in another.

In her artistic journey, she involves the philosophy of exploration and discovery. The artist manifests her creative path by observing nature and by practicing being in the moment: slowing down, noticing, reflecting, embracing the essence of life in all its darkness and light, shadow and light, emptiness and abundance.

In 2024, the artist had 2 solo exhibitions. She also regularly holds ink painting and other, Japanese culture inspired, workshops.

In 2022, she published a book for kids in two languages, which she has both written and illustrated.

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