We came to see the monkeys

Technique: Oil on canvas
Dimensions: 100x120 cm
€1,382.00

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More about this artwork

The painting depicts an architectural space, likely an indoor viewing area of a zoo or a similar setting. Dominating the foreground are thick, green ropes arranged in multiple diagonals, intertwining and creating a network, possibly serving as climbing structures or barriers. A vivid red structural element arcs at the top left side of the piece, contrasting starkly with the green ropes. Just beyond the ropes, there are large windows through which silhouettes of trees and foliage are visible in a bluish-gray tint, suggesting a scene outside, likely the actual habitat of monkeys. Notably, no monkeys or people are visible in the painting, focusing the attention on the anticipation of seeing, rather than the act itself.

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Artist

Tomas Stanaitis was born on May 27, 1985 in Kaunas.

Member of the Lithuanian Union of Artists since 2020.

in 2018 graduated from VDA Kaunas Faculty (Bachelor of Painting)

Participates in exhibitions since 2018.  Creates in the field of painting.

AWARDS 

Diploma - A. Švėgžda drawing competition, Vilnius 2019

THE MOST IMPORTANT EXHIBITIONS

In 2018 International painting exhibition "Young Painting of Kaunas and Riga" Kaunas Picture Gallery

In 2018 Alytus International Biennial of Young Creators "Art Code: LT 100. Young" Alytus

In 2020 International watercolor biennial "Baltic Bridges - Fabula" Girstutis cultural center, Kaunas

In 2024 International watercolor biennial "Baltic Bridges - X there" Kaunas Picture Gallery.

"The painter has formed a unique, realistic painting language, the plasticity of which responds to the content of the painting. Tomas Stanaitis became from nature and with the help of photographs and sketch drawings from his personal archive. The painter's attention is focused on the environment around him: he captures everyday images and analyzes the themes of time, environment and various experiences. Observing the environment, everyday life, the painter turns to himself: this is an autobiographical, diary-like nature of his work, but at the same time it is a story about something common to all of us.

The images of Tomas Stanaitis' paintings appear on the canvas with realistic drawing lines, generalized forms, monochrome planes and calm, muted color tones. Painting is accumulated and existential. The painter successfully combines the expressions of generalized and realistic painting. In this way, it forms a unique, individual aesthetic painting surface." - Painter, dr. Jovita Varkulevičienė

Lithuanian Artists’ Association Member

Lithuanian Artists’ Association Member