New York No. 06, Times Square

Technique: Ink and acrylic on paper, 2012
Dimensions: 30x55 cm
€392.00
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More about this artwork

The painting features a dynamic and bustling urban landscape characterized by towering skyscrapers, drawn with pronounced vertical and diagonal lines that suggest a feeling of upward movement and depth. The skyscrapers are intricately detailed, with windows and reflections artistically rendered to depict the glassy textures typical of city buildings. Dominating the foreground is a lamppost that curves gently over the scene, attached to it are signs indicating a bus lane with a fine notice and a directional sign marking a one-way street. The scene captures the essence of a busy metropolitan area, potentially during a bright day as indicated by the stark contrasts and the sharp shadows cast by the signage and buildings. The urban setting is accentuated by the use of predominantly monochromatic blue hues, interspersed with stark black ink, giving the painting a vibrant yet somewhat stark and mechanical feel, reflective of the urban environment it depicts.

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Artist

Artist and architect Dalius Regelskis was born and grew up in Vilnius. For more than twenty years he has been designing private interiors, traveling and drawing urban architecture. As well Dalius is a professor at the Vilnius Academy of Arts.

In his youth, when the courtyard gates of Vilnius Old Town had not been locked, Dalius snooped every courtyard, knew a lot of “secret” passages, and loved to use them as shortcuts instead of walking down the main streets. He studied graphic arts at the Vilnius Art School, where his teacher was a famous Lithuanian graphic artist Petras Repšys. Later Dalius entered the Vilnius Academy of Arts and studied architecture.

Usually, he spends summers with his wife in Crete. This island – its architecture, historical heritage, Cretans and their cultural traditions – became the source of inspiration. The mantinades (traditional Cretan poetry) used in the drawings were written by a local Greek from a tiny village exclusively for these works.

Another topic is New York, a city of Dalius’ new impressions and creative discoveries. These works capture the contrasts of the architecture of this sleepless metropolis, the connecting element of which became a ONE WAY road sign.

As the author himself says: “ONE WAY – one path, one direction, one method... The whole of New York City is dotted with these American road signs. However, it is not just a road sign, it’s a symbol of one of life’s milestones, in which the clean, purified, black-and-white graphics emphasize that among many ways, paths and wrong roads, one must find one’s OWN WAY.”