Cretan Door No. 18, Chania

Technique: Ink, watercolor, paper, 2016
Dimensions: 70x40 cm
€518.00

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More about this artwork

The painting depicts an ornate old wooden door set within a stone archway. The door, richly textured and slightly worn, features a series of panels, some adorned with intricate metalwork at its center. The arch above the door showcases elaborate iron scrollwork, contributing to the door’s antiquated charm. Surrounding the door and its frame, flecks and dabs of paint suggest crumbling walls, accentuating the door's age and historical context. A mailbox clings to the right wall beside the door, adding a functional touch to the scene. The artwork's palette is dominated by shades of brown and sepia, interspersed with black and white highlights, giving it a timeless and somewhat nostalgic feel. Overall, the painting captures the rustic beauty of an old Cretan door, suggesting a portal to the island’s rich history and cultural heritage.

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Artist

Artist and architect Dalius Regelskis was born and grew up in Vilnius. For more than twenty years he has been designing private interiors, traveling and drawing urban architecture. As well Dalius is a professor at the Vilnius Academy of Arts.

In his youth, when the courtyard gates of Vilnius Old Town had not been locked, Dalius snooped every courtyard, knew a lot of “secret” passages, and loved to use them as shortcuts instead of walking down the main streets. He studied graphic arts at the Vilnius Art School, where his teacher was a famous Lithuanian graphic artist Petras Repšys. Later Dalius entered the Vilnius Academy of Arts and studied architecture.

Usually, he spends summers with his wife in Crete. This island – its architecture, historical heritage, Cretans and their cultural traditions – became the source of inspiration. The mantinades (traditional Cretan poetry) used in the drawings were written by a local Greek from a tiny village exclusively for these works.

Another topic is New York, a city of Dalius’ new impressions and creative discoveries. These works capture the contrasts of the architecture of this sleepless metropolis, the connecting element of which became a ONE WAY road sign.

As the author himself says: “ONE WAY – one path, one direction, one method... The whole of New York City is dotted with these American road signs. However, it is not just a road sign, it’s a symbol of one of life’s milestones, in which the clean, purified, black-and-white graphics emphasize that among many ways, paths and wrong roads, one must find one’s OWN WAY.”