Paeonies

Technique: Oil on canvas
Dimensions: 60x70 cm
€626.00

Pay now or in 4 installments of 156,50 €

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Lithuanian Art Gallery Paveikslai.lt
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More about this artwork

The painting captures a lush cluster of peonies in full bloom amidst a tangle of green foliage. The artist uses expressive, thick brush strokes, instilling a sense of movement and raw energy within the scene. White peonies with hints of pink at their heart dominate the composition, their petals depicted in a flurry of white and pale pink strokes that merge seamlessly with the vibrant greens and dark earthy tones of the background. The leaves, painted with varying shades of green, provide a stark contrast, cradling the delicate flowers. The textural depth of the painting, combined with a naturalistic color palette, evokes the wild, unrestrained beauty of a garden in bloom. Visible brush strokes in the painting add a tactile quality, inviting the viewer to almost feel the breeze through the leaves and the softness of the peony petals.

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I was born in 1977 in Šiauliai.

I live in a small village in Bartkuski, in the middle of Lithuania.

I work mostly in spring and summer, when nature comes alive, because it is very important in my life and work. When I am in nature, I experience its vibration with all my senses, its constant stirring, its life. I don't look for a special environment for my motifs, it's everywhere under your feet; all you have to do is to put your eyes down and look at the rustling of the grasses.

In autumn and winter, I like to analyse a selection of wilted flowers, twigs, leaves... To embody in them the transience, the themes of constraint, stagnation, nostalgia.

In my summer work, various herbs, floral motifs, trees, fruits dominate. You won't find wide-open panoramas or fragments of homesteads. I don't look far for a motif, I often look at the little things right here, right under my feet. I'm interested in the rhythm of the wind, the vibrations of the air in the plants, the colour combinations.

I try to convey the feeling of painting in the presence of natural artefacts. I rarely detail the works in the studio, sometimes leaving them sketchy for the sake of a lively impression. This is very important to me.