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River and horse grass original painting by Kristina Darulienė. Home
River and horse grass original painting by Kristina Darulienė. Home

River and horse grass

Kristina Darulienė
Technique: Oil on canvas
Dimensions: 40x50 cm
€392.00
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More about this artwork

The painting depicts a lively river landscape dominated by the lushness of wild, overgrown grasses and florae on its banks. In the foreground, two tall reeds or flower spikes, tinged with maroon and dotted with spots of light, draw the eye. They rise distinctly against a more subdued palette of greens, yellows, and whites, the colors merging into each other with a dynamic, almost impulsive stroke work typically seen in expressionist art. The grass around these central figures seems wind-swept, suggesting movement with their varied directions and hues.Behind these naturalistic elements, the river itself is portrayed with broad, sweeping strokes of blue and gray, interspersed with whites reflecting perhaps the sky or light on the water's surface. The background across the river is formed by a more gradually shaded interaction of greens and dark blues, its details less defined and giving way to the boldness of the foreground. This back layer might represent a distant bank or perhaps a line of trees, underlined by a faint, misty yellow that could be the last light of dusk or the first light of dawn, lending an air of quiet but vivid atmosphere to the scene. The entire composition enchants with its raw and immediate connection to nature, harnessing both the wildness and tranquility of a riverside.

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Artist
Kristina Darulienė

I was born in 1977 in Šiauliai.

I live in a small village in Bartkuski, in the middle of Lithuania.

I work mostly in spring and summer, when nature comes alive, because it is very important in my life and work. When I am in nature, I experience its vibration with all my senses, its constant stirring, its life. I don't look for a special environment for my motifs, it's everywhere under your feet; all you have to do is to put your eyes down and look at the rustling of the grasses.

In autumn and winter, I like to analyse a selection of wilted flowers, twigs, leaves... To embody in them the transience, the themes of constraint, stagnation, nostalgia.

In my summer work, various herbs, floral motifs, trees, fruits dominate. You won't find wide-open panoramas or fragments of homesteads. I don't look far for a motif, I often look at the little things right here, right under my feet. I'm interested in the rhythm of the wind, the vibrations of the air in the plants, the colour combinations.

I try to convey the feeling of painting in the presence of natural artefacts. I rarely detail the works in the studio, sometimes leaving them sketchy for the sake of a lively impression. This is very important to me.

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