Fog

Technique: Acrylic on canvas, 2012
Dimensions: 40x50 cm
€230.00
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In the painting, a quiet, misty street scene unfolds under a subtle, diffuse light. A vintage street lamp stands prominently in the foreground on the left, casting no light but serving as a silent witness to the tranquil setting. The road curves gently to the right, bordered by a glistening wet surface that reflects the soft muted tones of the sky. A series of old buildings, each with distinct but subdued architectural details, line the street. The centerpiece is a two-story yellow house with green shutters, showing signs of age and character. Its warm hue contrasts softly against the cooler whites and grays of the neighboring buildings, suggesting a depth to the mist that shrouds the scene. The background fades into a blend of fog and sky, giving a sense of infinite continuation on this quiet street corner. The painting evokes a serene, almost nostalgic atmosphere, inviting the viewer to contemplate the stillness and beauty of the foggy moment captured.

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Flowers, trees, and the sea—I'm fascinated by their peace, majesty, perfection, and simplicity. They serve as a counterweight to the city, technology, and the endless flow of information. I take many photos and paint watercolors because I can't help but capture the essence of nature that catches my eye. This is how my sketches are born and how I prepare for painting. I strive to convey this feeling and the color combinations in my canvases. I also invite viewers into the landscape, encouraging them to experience the warmth of melting snow, the calmness of an evening by the seashore, the exhilaration of spring blossoms, and the fragrance of apples.

I want to rebel a little against the modern multiplicity of postmodernity and avoid creating mindless repetitions. Therefore, each new work becomes a unique artistic quest. Can a landscape be modern, or should it remain classic? Must it include a horizon, sky, and earth? What is the significance of space in the landscape, and what is the color of space? I aim to explore these questions about the landscape—what remains alive, interesting, and precious about it today.

I am from Klaipėda but have been living and creating in Vilnius for many years. I studied painting individually with artist Antanas Beinaravičius, later with artist Vytautas Poškas, and further deepened my knowledge at the Vilnius J. Vienožinskis Art School and the Vilnius Academy of Arts.