Printerhead, reading

Technique: Oil on canvas
Dimensions: 60x80 cm
€410.00

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More about this artwork

The painting depicts a figure with a geometric, box-like structure for a head, suggestive of a printer or a machine, seated in a casual pose. This stylized head reads a book, held open by its human-like hands, reflecting an intriguing blend of technology and human traits. The figure is dressed in a top decorated with intricate patterns, reclining in a lush armchair. The colors are soft yet distinctly separated, casting a serene and somewhat introspective atmosphere. Beside the figure is a small, round side table supporting what appears to be a smaller, simpler figure or object, contributing to an overall theme that blurs the line between animate and inanimate. The background alternates between shades of calming blue and sharp contrasts of shadow, enhancing the focus on the central, reading figure.

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For destinations outside the European Union, shipping typically takes around two weeks or slightly longer, depending on your location relative to Europe. Rest assured, all paintings are securely insured and sent in tracked packages. Please note that additional import taxes may apply for shipments outside the EU, and the recipient will be responsible for these charges. We've successfully shipped paintings to numerous countries worldwide. Should you have any questions, please feel free to contact us at any time!

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Artist

Artist and art theorist Odeta Putkyte (b. 1993) in Lithuania recieved a bachelor's degree at Minerva academy and a master's degree at Utrecht University, studies at this moment at the university of Edinburgh a PhD of Arts.

Odeta says that these paintings are nowhere to be seen so that the outbursts of creative energy expressed through a unique brushwork, questions not the logics of a story through painting but the absolute nonsense and how much that truth is acceptable if exposed in a light bright atmosphere. The goal of this absurdity is not to show a story, but a moment, an event, not so much the facts, but perspective. 

In her own words: "Through this oeuvre I aim at, if not hyperrealistically, but as much as possible a policy of to not to lie - it saves time. This creative practice also questions our identity, who we really are, without lying and sincerely, which is one of the most difficult questions to answer despite the difficulties of life."