124231

Technique: Koliažas, popierius
Dimensions: 28x55 cm
€335.00
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More about this artwork

This painting features a vibrant and abstract composition with dynamic strokes and a play of warm and cool colors. On the left, there are suggestions of architectural forms or structures, depicted with harsh, dark lines that lend a slightly geometric appearance amidst the fluidity of surrounding areas. The central part of this side shows what might be interpreted as a ladder or a series of interconnected lines, creating a sense of ascent or depth. Transitional shades and murky purples blend with sharper blacks and blues, adding complexity to the visual.Transitioning to the right-hand side of the painting, the colors shift to warmer tones of orange, amber, and sienna, evoking a more organic feel. Here, the abstract forms hint at figures, possibly human, intertwined or interacting closely with each other. These forms are less defined, rendered with softer edges and overlapping contours that suggest movement and interaction.Overall, the juxtaposition of architectural and organic motifs, along with the fluidity of the paint and the stark contrast in color temperatures, generates a dynamic tension and a sense of intrigue, inviting viewers to interpret the elements in multiple ways based on their perception.

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Artist

"I'll start by saying that I'm a rather superficial person in that sense,

that I don't interfere in the twists and turns of art's past, present directions and visions of the future.

My aim in making art is a simple, uncomplicated aesthetic.

I was born in Kaunas. My childhood was spent in Žaliakalnis. Later studies

Vilnius Art Institute (now Academy) and after graduation

appointment to Klaipėda. A beautiful, painfully pleasant past.

Now it will soon be thirty years that I have been working with furniture in New York. I have a long-standing understanding of the professional routine, the functionality and visual expression of interiors. 

And to go back to the beginning, I want to add that the human living environment

is divided into what is interesting, beautiful and attractive to them, and what is alien (in this case

I am not talking in the social sense). My wish is that a person who hangs a picture should  feel good without noticing it, without drawing attention to it.

That would be the point," the artist introduces himself.

Gediminas Sprindys works in watercolour and makes excellent use of its ability to layer colours, colour transparency, translucency and spills. His work is dominated by urban landscapes, images of Kaunas modernism and New York skyscrapers. The soft watercolour is an unexpected contrast to the depicted glass and concrete, giving lightness and gently reminding us of temporality.