124102

Technique: Acrylic on paper
Dimensions: 30x45 cm
€335.00
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More about this artwork

The painting displays an array of abstract floral shapes, stylistically simplified and dynamically arranged. The color palette primarily features shades of blue and white, with touches of yellow and hints of gray, suggesting a lively yet harmonious blend. The floral figures are textured and layered, implying depth and movement, with each stroke contributing to a vivid sense of life and natural growth. The blue background is uneven, adding a sense of airiness and fluidity, as if the flowers are set against a fleeting sky or water surface. The use of yellow is striking, drawing the eye to the central parts of the flowers which might represent their stamens or centers, emitting a sense of warmth amidst the cooler blues and whites. The overall effect is one of freshness and spontaneity, capturing an essence of blossoming life through abstract forms.

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Artist

"I'll start by saying that I'm a rather superficial person in that sense,

that I don't interfere in the twists and turns of art's past, present directions and visions of the future.

My aim in making art is a simple, uncomplicated aesthetic.

I was born in Kaunas. My childhood was spent in Žaliakalnis. Later studies

Vilnius Art Institute (now Academy) and after graduation

appointment to Klaipėda. A beautiful, painfully pleasant past.

Now it will soon be thirty years that I have been working with furniture in New York. I have a long-standing understanding of the professional routine, the functionality and visual expression of interiors. 

And to go back to the beginning, I want to add that the human living environment

is divided into what is interesting, beautiful and attractive to them, and what is alien (in this case

I am not talking in the social sense). My wish is that a person who hangs a picture should  feel good without noticing it, without drawing attention to it.

That would be the point," the artist introduces himself.

Gediminas Sprindys works in watercolour and makes excellent use of its ability to layer colours, colour transparency, translucency and spills. His work is dominated by urban landscapes, images of Kaunas modernism and New York skyscrapers. The soft watercolour is an unexpected contrast to the depicted glass and concrete, giving lightness and gently reminding us of temporality.