102911

Technique: Acrylic, paper
Dimensions: 28x20 cm
€335.00
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More about this artwork

The painting features an abstract composition that bursts with a chaotic interplay of colors and textures. Vivid blues and reds dominate the canvas, interspersed with patches of white that carve dynamic, jagged shapes throughout the space. These colors bleed into each other, creating a sense of movement and energy. The brushstrokes appear swift and unrestrained, contributing to a feeling of spontaneity and raw emotion. The layering of paint creates a tactile surface that suggests depth, making the visuals seem almost alive with vibrancy. The use of white not only adds contrast but seems to act as a force that slices through the other colors, adding a graphic quality to the work. This abstract expressionist style allows for a multitude of interpretations, where each viewer might see different forms or figures emerging from the chaotic backdrop.

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Artist

"I'll start by saying that I'm a rather superficial person in that sense,

that I don't interfere in the twists and turns of art's past, present directions and visions of the future.

My aim in making art is a simple, uncomplicated aesthetic.

I was born in Kaunas. My childhood was spent in Žaliakalnis. Later studies

Vilnius Art Institute (now Academy) and after graduation

appointment to Klaipėda. A beautiful, painfully pleasant past.

Now it will soon be thirty years that I have been working with furniture in New York. I have a long-standing understanding of the professional routine, the functionality and visual expression of interiors. 

And to go back to the beginning, I want to add that the human living environment

is divided into what is interesting, beautiful and attractive to them, and what is alien (in this case

I am not talking in the social sense). My wish is that a person who hangs a picture should  feel good without noticing it, without drawing attention to it.

That would be the point," the artist introduces himself.

Gediminas Sprindys works in watercolour and makes excellent use of its ability to layer colours, colour transparency, translucency and spills. His work is dominated by urban landscapes, images of Kaunas modernism and New York skyscrapers. The soft watercolour is an unexpected contrast to the depicted glass and concrete, giving lightness and gently reminding us of temporality.