First Snow

Technique: Oil on canvas
Dimensions: 65x65 cm
€1,130.00

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More about this artwork

The painting showcases a minimalist abstract style, focusing on textured strokes and a restrained color palette mostly comprising black, white, and shades of gray. The composition is divided into three main vertical sections with a rough, almost torn seam serving as a transition between each. The left section features dense, dark black tones layered heavily, which seamlessly bleed into the central section that is dominated by white hues with subtle undertones of gray. This part displays heavy, textured strokes often scraping through to the underlying layers, revealing depths of white and gray that emulate the tactile quality of accumulated snow. The third section begins with an abrupt, ragged divide where black reasserts itself, dense and opaque. Small, punctuating splashes of red provide a sharp contrast, suggesting perhaps the accidental beauty of a few scattered berries or a bird hidden and peeking through a snowy landscape. The overall impression is both stark and contemplative, evoking the quiet and introspective atmosphere of a snow-covered scene.

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Artist

Rytas Jurgelis has been a member of the Union of Lithuanian Artists since 1995. His creative biography includes nearly three dozen solo exhibitions, and his works are displayed not only in Lithuania but also internationally.

Two key characteristics of Jurgelis's painting are color and texture, along with his long-standing preference for geometric forms, particularly the square. These elements give his work exceptional variety, while maintaining a subtle tone of lyricism.

In his paintings, it’s not a battle of colors that stands out, but their synergy. Colors, as expressions of emotional states, merge with the materiality of oil paints. This materiality is highlighted through the gloss or matte finishes, surface patterns left by painting tools, scratches, and textured reliefs that create changes in height. These effects are achieved by applying layers of paint in a formal manner, visible from the sides, sometimes through holes, and often sensed from the front.

The layered and colored surfaces not only create new variants of painted textures and the emotional states they evoke, but they also carry associative connections to other senses, such as taste or smell. In this way, storms of emotions play out on each square plane, where dramas or silent agreements unfold, and narratives emerge. The universality of these narratives allows viewers to interpret what they see in their own way. The artist guides these interpretations subtly, offering assistance concisely and minimally.

Art critic Kristina Jokubavičienė

Lithuanian Artists’ Association Member

Lithuanian Artists’ Association Member

This artist was acknowledged by the Ministry of Culture of the Republic of Lithuania

This artist was acknowledged by the Ministry of Culture of the Republic of Lithuania

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