Landscape 66

Technique: Oil on wood
Dimensions: 20x20 cm
€410.00

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Lithuanian Art Gallery Paveikslai.lt
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More about this artwork

The painting presents a richly textured abstract landscape, characterized by heavy, impasto applications of paint. The top section of the canvas is dominated by dark blues and blacks, interspersed with whites and lighter blues, suggesting a turbulent sky. This upper area is dynamic, with the thick strokes creating a sense of movement, as if reflecting the chaotic energy of a stormy night.Transitioning downward, the piece becomes earthier in palette with broad swatches of beige, brown, and muted orange, possibly depicting the rugged terrain. This section uses a mix of smoother and more textured applications, providing a contrast to the tumultuous 'sky' above.Right at the bottom, there are darker browns and greys, possibly indicating the shadowed ground or a foreboding depth that anchors the composition. Each layer of paint is palpable, adding physical depth to the visual narrative, making the scene feel alive and continuously shifting, despite its stillness. The colors are juxtaposed in patches, and the sculptural quality of the paint adds a tactile element that invites the viewer to experience the landscape as a sensory multitude rather than a mere visual encounter.

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Artist

Rytas Jurgelis has been a member of the Union of Lithuanian Artists since 1995. His creative biography includes nearly three dozen solo exhibitions, and his works are displayed not only in Lithuania but also internationally.

Two key characteristics of Jurgelis's painting are color and texture, along with his long-standing preference for geometric forms, particularly the square. These elements give his work exceptional variety, while maintaining a subtle tone of lyricism.

In his paintings, it’s not a battle of colors that stands out, but their synergy. Colors, as expressions of emotional states, merge with the materiality of oil paints. This materiality is highlighted through the gloss or matte finishes, surface patterns left by painting tools, scratches, and textured reliefs that create changes in height. These effects are achieved by applying layers of paint in a formal manner, visible from the sides, sometimes through holes, and often sensed from the front.

The layered and colored surfaces not only create new variants of painted textures and the emotional states they evoke, but they also carry associative connections to other senses, such as taste or smell. In this way, storms of emotions play out on each square plane, where dramas or silent agreements unfold, and narratives emerge. The universality of these narratives allows viewers to interpret what they see in their own way. The artist guides these interpretations subtly, offering assistance concisely and minimally.

Art critic Kristina Jokubavičienė

Lithuanian Artists’ Association Member

Lithuanian Artists’ Association Member

This artist was acknowledged by the Ministry of Culture of the Republic of Lithuania

This artist was acknowledged by the Ministry of Culture of the Republic of Lithuania

TOP 15

TOP 15

Nationally known

Nationally known