Spring Has Come

Technique: Watercolor on paper, 1988
Dimensions: 51x73 cm
€374.00
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The painting features a serene landscape in early spring, with a clear yet subtle transition of seasons. A soft, diffused light permeates the scene, suggesting either early morning or late afternoon. In the foreground, fresh green grass is starting to overtake the last remnants of winter's brown. A couple of bare trees add a slightly stark contrast to the burgeoning green, emphasizing the seasonal shift.As the eye moves into the middle distance, gentle sloping hills lead to what appears to be a water body, rendered in lavender and soft blues that echo the coolness of spring. To the right is a cluster of what might be buildings, possibly a farm or rural dwellings, their details softened and almost blending into the surrounding hues of earth and vegetation. Further off, the landscape meets the cloudy horizon in a haze, symbolizing perhaps the lingering mists of spring mornings.The color palette is predominantly soft, comprised of muted greens, blues, and earth tones, interspersed with hints of pink and red, suggesting flowers or perhaps buds on trees, hinting at the lively burst of life characteristic of spring. The brushwork is loose and expressive, contributing to an overall sense of calmness and renewal in the composition.

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Watercolour artist. Born on 4 March 1928. He died on 18 August 2008 in a farmstead near Ignalina.

Looking at Kazys Abramavičius' watercolours, one would never wonder where this place is painted. We recognise what is our own at first sight. In his works, the author has talentedly encoded the notion of Lithuanianness, which is well understood by all, but much harder to define.

The Lithuanian nature depicted in the watercolours, painted in restrained, light, natural, warm colours, preserving the whiteness of the paper, which gives a special sense of light, is exactly the same as we remember when we are away and homesick. A little idealised, but full of peace, which is so well conveyed by the broad, flowing brushstrokes, the colours that flow into each other.

Perhaps the most beautiful feature of Abramavičius's watercolours is their lightness and sketchiness. The impression is that one has worked quickly, in haste, with rushed strokes, capturing the beauty of the moment.

From 1947 to 1954, he studied stained glass at the Lithuanian SSR State Art Institute (now Vilnius Academy of Arts).

From 1954 to 1957, he worked at the Kaunas Stepas Žukas Applied Art Technical School as deputy director for scientific affairs.

1960-1964 worked at the Ministry of Culture of the LSSR.

1964-1980 worked at the Lithuanian Art Museum (from 1964 Chief Research Fellow, from 1970 Head of the Painting and Sculpture Department, from 1974 Head of the Vilnius Picture Gallery).

Since 1957 he has participated in exhibitions in Lithuania, Latvia, Russia and Germany. He has held solo exhibitions in Vilnius (1969, 1973, 1977, 1978, 1981, 1988, 1998, 2000, 2003, 2008), as well as in Riga, Kaunas, Šiauliai, Panevėžys, Alytus, Jurbarkas.

Since 1961, member of the Lithuanian Artists' Union, long-time head of the LDS Watercolour Section.

He compiled art publications, catalogues of watercolour exhibitions, wrote articles.

His works have been acquired by the Lithuanian Art Museum, the National M. K. Čiurlionis Art Museum, and the Latvian National Art Museum in Riga.