Silence I

Technique: Pastels on paper
Dimensions: 68x82 cm
€1,076.00

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More about this artwork

The painting depicts an old, slightly worn violin resting partially inside its open, similarly timeworn case. The violin and the case are placed on a textured surface that could be a table or a textured cloth. Next to the violin, there are scattered objects: a crumpled piece of sheet music, giving a sense of abandonment or hasty departure, and a rustic, empty bottle lying on its side which adds to the feeling of neglect. Nearby, there appears to be a small, oval stone, which contrasts with the man-made objects around it, perhaps symbolizing permanence and the natural world in contrast to the transient and tenuous human creations. The mood is melancholic and reflective, intensified by the muted color palette of browns, greys, and soft blues, suggesting a scene from another time or the memory of a distant past. The atmosphere conveys a deep silence, as if the music once filling the space has long since faded, leaving only quiet and stillness.

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Artist

Viltė Gridasova, the founder of KalbaSpalva.lt (Language and Colour), an English language teacher, painter, translator, writer; simply saying, a woman with a limitless positive energy. It was her Grandmother named Aza from whom Viltė inherited this positive outlook. Granny Aza, an English language teacher by profession, too, taught the little girl the sounds of the English language, the names of the plants in her sunny garden. Aza taught to appreciate the beauty of the nature, art and classical music. Thanks to her Grandmother, language and colour have become inseparable, an integral part of Viltė's life, even more - her true passion.

Viltė says, "As a painter, I'm still searching for my favourite medium. It used to be oil and pastels, but quite recently I've fallen in love with the richness, unpredictability and transparency of watercolour. Painting may be a gift or a suffering, if you cannot express what you'd like to express; but whatever the result, it has to evoke positive feelings. It doesn't mean images have to be bright; they can bring about sadness or melancholic memories, but eventually, art has to give hope and inspiration to the viewers."