Lilies
More about this artwork
The painting showcases a series of symmetrical patterns, with a kaleidoscopic quality that plays on repetition and mirror imagery. Dominating the image are oval figures arranged in two rows, each mirroring across both axes, creating an almost three-dimensional effect. Within each oval, the design features intricate linear motifs that converge towards the center, resembling a starburst or the central part of a flower. The palette is a muted mix of grays and whites, which enhances the textural details and gives the artwork a subtle luminescence. The overall composition is neatly captured within a white frame, emphasizing a clean, modern aesthetic.
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Digital photography, digital photo manipulation, Giclée printing, Fine Art Portrait White paper
Width: 40 cm
I am a photographer and painter, but perhaps I would describe myself more as an experimenter, constantly experimenting with various techniques. I am currently developing several ideas.
The first:
Photo collages-paintings, where the same photograph is used to create a multi-layered composition. In the creative process, the original photograph is merely a tool for the further development of a visual narrative, much like raw material in chemistry that is synthesized into a final product. Similarly, here, the photograph is transformed, layered, or composed in various ways. Sometimes this is done so radically that viewers are surprised to learn from which photograph the artwork was created. The most striking example of such a process is the piece "Paradise Apples," where the main photograph, from which the so-called visual red apples were created, was a corner of a hot air balloon. However, this creative process not only surprises the viewer but also brings me great joy and engagement. Through the artwork, long-forgotten moments or significant events that once touched me are brought to light. Although my creative style has developed over the years, as an artist, I never know what the final result will be. This is the driving force that encourages me to continue exploring the depths of my subconscious.
The second:
Painting with acrylics and oil paints. In painting, I am more drawn to abstract bursts of color. Using various tools, I strive to convey textures such as the surface of velvet fabric through colors. Although this area is currently less developed, I plan to return to it and present new works. There are also unique experiments with watercolors.