Last Summer
More about this artwork
The painting captures a rustic ferry, loaded with a few passengers, making its way across a calm river. The sepia tones lend a timeless quality to the scene. A long, thin cable stretches tautly from the ferry across the water, hinting at the makeshift mechanics that propel it. On the shore, an elaborate cityscape with towering skyscrapers looms in the background, contrasting sharply with the simplicity of the ferry operation. The sky is overcast, and the overall mood is somewhat melancholic yet peaceful. The river's surface is gently rippled, reflecting the undisturbed motion of the ferry, with no other vessels in sight. The juxtaposition of the old and new, the natural and the urban, is striking.
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Digital photography, digital photo manipulation, Giclée printing, Fine Art Portrait White paper
Width: 40 cm
I am a photographer and painter, but perhaps I would describe myself more as an experimenter, constantly experimenting with various techniques. I am currently developing several ideas.
The first:
Photo collages-paintings, where the same photograph is used to create a multi-layered composition. In the creative process, the original photograph is merely a tool for the further development of a visual narrative, much like raw material in chemistry that is synthesized into a final product. Similarly, here, the photograph is transformed, layered, or composed in various ways. Sometimes this is done so radically that viewers are surprised to learn from which photograph the artwork was created. The most striking example of such a process is the piece "Paradise Apples," where the main photograph, from which the so-called visual red apples were created, was a corner of a hot air balloon. However, this creative process not only surprises the viewer but also brings me great joy and engagement. Through the artwork, long-forgotten moments or significant events that once touched me are brought to light. Although my creative style has developed over the years, as an artist, I never know what the final result will be. This is the driving force that encourages me to continue exploring the depths of my subconscious.
The second:
Painting with acrylics and oil paints. In painting, I am more drawn to abstract bursts of color. Using various tools, I strive to convey textures such as the surface of velvet fabric through colors. Although this area is currently less developed, I plan to return to it and present new works. There are also unique experiments with watercolors.