Technique: Oil on canvas
Dimensions: 40x40 cm

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Vivid and dynamic, the painting features a group of stylized figures amidst a richly textured and colorful backdrop. Each figure, distinct in their red-hued, bird-like faces and human bodies, engages in various activities. One figure sits at a round table, draped partially in green, gazing pensively at a reflective surface. Nearby, two figures engage in what seems like a dance or struggle, holding each other's arms, their expressions intense. Another stands partially in shadow, unsettlingly rigid as it peers out from behind a yellow curtain. The surroundings are chaotic, filled with abstract patterns, sharp geometric yellow and green shards protruding diagonally, and a window emitting natural light, further scattering small white shapes across the floor, resembling feathers or leaves. The atmosphere is surreal, blending indoor elements with what could be interpreted as a natural, external intrusion, suggested by the vivid greens and organic textures, heightening the sense of an unfolding narrative that teeters between harmony and tension.


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I am Orinta Klimaitė, a resident in dermatovenerology, a prosector at the Institute of Anatomy, LSMU, and therefore my work is close to anatomy and the human body.

During these years of study, I can't stop wondering how in such a structurally orderly, harmoniously working organism, where every organ has its own function, where every change is compensated for and homeostasis is maintained, such an unpredictable, intangible, formless, unnameable human soul can hide.

In my work I try to show how much struggle, contrast and uncertainty can be contained in a single body that is trying to find its true self, in order to resist the prevailing ideologies and standards created by society. To remain myself, without abandoning my nature, without being afraid to feel, is my goal.