Evening Is Coming

Technique: Oil on canvas
Dimensions: 45x60 cm

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The painting "Evening Is Coming" by Kęstutis Jauniškis presents a vast, open landscape dominated by a sweeping expanse of rich, warm reds, perhaps suggesting the rosy hues of a sunset. Horizontal streaks of deeper maroons intersperse with lighter, almost coral reds, creating layers that might represent different fields or plains under a fading light. Small patches of blue and grey, reminiscent of water bodies or shadows, punctuate the red terrain, adding depth and contrast to the scene.Above this vibrant land, the sky is a blend of soft pale blues and muted grays, with gentle gradations that suggest clouds slowly drifting across. The horizon is low, allowing the sky to occupy a significant portion of the canvas, enhancing the feeling of an expansive, open environment. No explicit sun is depicted, but the colors and gradients in both sky and land subtly suggest its presence just beyond the frame, casting its last warm glow over the landscape as evening approaches.On the distant horizon, there appear to be structures or trees, mere silhouettes that create a sense of scale and distance. They are tiny and barely discernible, emphasizing the vastness and the unpopulated feeling of the scene. The entire painting is devoid of any overt action or figures, focusing solely on the landscape's abstract beauty and the interplay of color and light, invoking a serene, contemplative mood as the day ends.


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When we talk about landscapes, the shimmering surface of the water, the painted leaves of the trees, the clouds floating in the sky usually come to mind, but Kęstutis Jauniškis sees nature through the prism of architecture.

This artist breaks down the visible landscape into large components, deconstructs it and reassembles it again on canvas from stylised spots of colour, like a collage of cut-outs in which the laws of perspective do not apply and the third dimension, if it does appear, does not serve the illusion of realism. The monotony is saved here by the colour contrasts, the gentle gradation of shades within the spots themselves, and the differences in texture. Jauniškis's paintings are characterised by soft, gentle lines, sparing, even miserly used details and earthy colouring.

The author's landscapes often move away from visual reality towards abstraction. A real dessert for the eyes of modern art fans.

Kęstutis is a member of the International Association of Miniaturists in Australia (Tasmania). He participates in exhibitions of miniatures organised by this association.