Bottom Lickers Feast

Technique: Oil on canvas
Dimensions: 60x70 cm

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The painting features two grotesque, caricature-like figures in a dynamic and somewhat disturbing interaction. The figure on the left, dressed in a suit with a red tie and a festive hat, exhibits exaggerated facial features with a large, misshapen mouth and bulbous nose. This character holds a humanoid figure upside down, whose body merges bizarrely into a platter of sorts, replete with a garnishing of coins and what appears to be a lemon slice as an eye.The figure on the right, sporting armor-like attire and a halo above its head, has an elephant-like trunk for a nose and multiple sets of eyes. It also has deformed, anatomical features scattered across its body. This character assists in hoisting the inverted figure, gripping its leg, which oddly splits into tentacle-like extensions.In the background and periphery, several smaller, twisted figures float or fall, contributing to the chaotic and surreal atmosphere. These include cherubic forms and distorted faces that seem to be both whimsical and eerie. The overall color palette is muted, with murky greens, grays, and browns, punctuated by flashes of more vivid reds and yellows, enhancing the fantastical yet nightmarish quality of the scene.


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A painter, sculptor, wood carver a patriot not only of this region but of the whole Samogitia, a decorator and a nurturer of his hometown - he is known even in Germany, Holland and New York, where his painting exhibitions were successful.

Antanas is always full of interesting ideas, incredibly productive and inventive. He does not need either bohemian adventures or the influence of other artists to unleash his original, multifaceted talent. He draws inspiration from nature and the history of his land. 

The surrealistic paintings of A. Adomaitis, which require not only imaginative inclination, but also a perfect mastery of technique, are not lacking in humour and self-irony, which only makes the author's work even more attractive and multi-layered. The author does not shy away from sharp social themes, nor from difficult questions of human existence. And he reveals them wittily and boldly, without any embellishments.

The viewer, who is lucky enough to fall into the phantasmagorical world of A. Adomaitis' works, one is struck by the spectacular play of imagination, the vividness of the brushstroke, the knowledge of the "soul" of wood.