Still life with shadow

Technique: Oil on canvas
Dimensions: 53x63 cm
€950.00

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The painting presents a textural abstraction, comprising blocks and patches of muted, earthy tones, primarily in shades of tan, pink, gray, and touches of red and blue. It depicts a simplified still life arrangement on a flat surface. The scene includes what might be considered a table or a horizontal plane, upon which rests objects that are abstractly shaped. A central object, which could be interpreted as a pitcher, stands with its surface marked by streaks and patches, resembling light reflections or glazed textures. Adjacent to this are elements suggestive of shadows or other objects, rendered with a heavy impasto technique that gives substantial thickness to the paint, enhancing the tactile quality of the work. The piece exudes a quiet and meditative atmosphere, with its blend of geometrical forms balancing both composition and color.In general, the painting utilizes a palette knife or similar tool to achieve a rich, layered effect that emphasizes the physical nature of the paint itself. The simplicity of the forms combined with their textural intricacies invites contemplation, directing attention to the material properties of the paint and the abstract representation of light and volume. The painting, through its subdued color scheme and textured surface, evokes a sense of stillness and depth, encouraging a reflective engagement with the everyday objects it abstractly portrays.

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Painting in the interior
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Artist

Member of the Union of Lithuanian Artists since 1995. The creative biography of Rytas Jurgelis includes almost three dozen personal exhibitions, his works are spread not only in Lithuania, but also beyond its borders.

The two most important features of R. Jurgelis's painting - color and texture - and the long-loved geometric form - the square - give the whole an exceptional variety, without losing the subtle tone of lyricism.

The works reflect not a battle of colors, which comes first, but a synergy. The expression of colors as bearers of emotional states is combined with the suggestiveness of the material substance of oil paints. Materiality is accentuated by the gloss or mattness of paint, textural surface patterns left by painting tools, scratches and the relief of textures, height changes. This is achieved by formally applying layers of paint, which can be seen from the side, sometimes through the front, and sometimes it is enough to sense them.

Layered and colored dermis not only form new variants of painting surfaces and the expressive emotional states they create. They also contain associative connections, say with taste, smell or smell. Thus, storms of feelings are raging in every square plane, dramas or silent agreements are taking place, narratives are emerging, the universality of which allows everyone to accept what is happening in front of their eyes in their own way. The author helps in searches, but in his own way, concisely and minimally.

Art critic Kristina Jokubavičienė

Lithuanian Artists’ Association Member

Lithuanian Artists’ Association Member

This artist was acknowledged by the Ministry of Culture of the Republic of Lithuania

This artist was acknowledged by the Ministry of Culture of the Republic of Lithuania

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