Noise of Silence II

Technique: Oil on canvas
Dimensions: 140x140 cm
€935.00

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More about this artwork

The painting displays a rich tapestry of vibrant colors and abstract shapes, rendered predominantly in shades of green, blue, and yellow. Dominating the upper half of the canvas is a broad expanse of green, serving as a backdrop punctuated by overlapping blocks and streaks. A prominent feature in this array is a large, central yellow patch, seemingly floating amidst these hues, radiating a bright, warm glow which contrasts starkly against the cooler greens and blues. Dripping and blending of colors create a fluid, dynamic interaction, suggesting motion and depth. The dripping paint particularly in blue, stretches downwards, connecting with other shapes and extending the sensation of liquidity and transformation. The painting could evoke a sense of organic growth or natural elements like water and sunlight filtering through foliage, though its abstract nature leaves much to personal interpretation. The composition is both serene and stimulating, inviting viewers to lose themselves in the depths of its silent noise.

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Artist

I am Greta Virzbickytė. I completed my bachelor studies at the Vilnius Academy of Fine Arts, now currently studying for a Master's degree in Site-specific Art.

About my work:

Coincidence is the main factor that determines the content of my paintings. I use mistakes and failures as an advantage. There are times when I want to be in control of my work, as I am in control of my life, but there are certain things that control me during the creative process, not me controlling them. So it's just a matter of giving up and watching the paint run off in its own direction, mixing with each other. That's when something amazing happens - unpredictability. I used it and turned it into an artistic strategy to express the unconscious, the intangible. In my work, this unpredictability has become a tool to open up and help understand the contents of the unconscious. I understood them intuitively by visualising them in the painting and thus seeing for myself, already as a concrete image, certain combinations of shapes and colours. It means what I cannot predict, consciously perceive or put into words reveals itself through chance, as if it happens by itself - artistic practice not only "brings" images out of the subconscious but also materializes them in paintings.