Summer Etude

Technique: Oil on canvas
Dimensions: 24x30 cm
€222.00
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More about this artwork

The painting depicts a coastal scene, washed in a palette of earthy terracotta, deep blues, and muted greys. The foreground is dominated by a textured, rust-colored field that stretches towards a serene blue sea. The horizon is a wide expanse of water, under a sky brushed lightly with gray clouds. On the left, part of a structure, possibly a house, is visible, in a flat, unobtrusive grey. Flanking the seascape are two poles, one on each side of the canvas, soaring vertically and topped with what seem to be minimalist, stylized trees or bushes, emphasized by black against the light sky. A thin, red line runs down the length of each pole, drawing the eye back to the ground and adding a vivid slash of color to the otherwise subdued scene.

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When we talk about landscapes, the shimmering surface of the water, the painted leaves of the trees, the clouds floating in the sky usually come to mind, but Kęstutis Jauniškis sees nature through the prism of architecture.


This artist breaks down the visible landscape into large components, deconstructs it and reassembles it again on canvas from stylised spots of colour, like a collage of cut-outs in which the laws of perspective do not apply and the third dimension, if it does appear, does not serve the illusion of realism. The monotony is saved here by the colour contrasts, the gentle gradation of shades within the spots themselves, and the differences in texture. Jauniškis's paintings are characterised by soft, gentle lines, sparing, even miserly used details and earthy colouring.

The author's landscapes often move away from visual reality towards abstraction. A real dessert for the eyes of modern art fans.

Kęstutis is a member of the International Association of Miniaturists in Australia (Tasmania). He participates in exhibitions of miniatures organised by this association.