In the noncommunication area

The painting depicts an abstract and chaotic blend of shapes and colors, conveying a sense of disarray and disconnection. Central in this intricate composition is what resembles a turbine or fan, made up of circular, rib-like structures that radiate outward. This element appears almost mechanical in nature, suggesting motion or energy, yet it is ensnared in surrounding elements that blur into an ambivalent background. To the left, there’s a hint of what might be interpreted as a skeletal wing or a collection of pipes and levers, enhancing the painting’s industrial feel.Around the central mechanical feature are assorted forms and objects that defy clear identification, contributing to a sense of surrealism. Various textures and materials seem to be depicted, with patches that resemble corroded metal, dripping substances, and possibly organic compounds, interspersed with what might be fragments of grids or checkerboards adding a conceptual, possibly digital hint. The colors are earthy – shades of burnt orange, brown, moss green, and touches of white and gray, which add to the painting's overall mood of decay and abandonment.Dripping and overlaying paint applications intensify the impression of a scene in flux, as if the components are melting or dissolving into one another, which visually reinforces the notion of noncommunication, suggesting barrier, breakdown, or the inability to function harmoniously.