Dislocated memories

Technique: Oil on canvas
Dimensions: 40x60 cm
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More about this artwork

The artwork depicts an abstract scene composed of vertically streaked layers of paint, suggesting a crowd of figures or objects blurred together. The palette is dominated by earthy tones at the top—creams, tans, and soft yellows—gradually becoming more saturated with deep reds, purples, blacks, and glimpses of bright red and white towards the bottom. This use of color and texture creates a dynamic yet chaotic atmosphere, perhaps evoking the fleeting and mixed nature of memories. The thick application of paint adds depth and a palpable sense of emotion, with each stroke contributing to the overall feeling of dislocation and fragmentation.


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"Art is very important to me. Life is an ocean of infinite colours, and I draw from them and, transforming them through my own prism, represent them on canvas. Sometimes I intuitively follow the brush's guidance, and sometimes I combine the conscious and subconscious dance of the brush. The quest for creativity is a constant companion, because painting is not only a form of expression for me, but also a form of communication and development. My canvases reflect a metaphysical world, where reflections of real objects, i.e. various architectural fragments and natural details, and human figures, i.e. angels and other characters, find a place. With these elements and figures I want to convey the relationship between people and the environment. Their representation in the paintings expresses hope and faith. It is like a promise that everyone's existence is meaningful, that their inner world is of infinite value if they have aspirations and move towards the light. My aim is to paint because the process is the most interesting, and if something else interests me, then I am happy. I am happy to exhibit my work because I love people and I want to share my work with others.

When I paint on the theme of architecture, I try to convey the atmosphere of the place. The change of colours, lines and shapes in the painting creates a synergistic relationship, like a dance. Static architectural elements merge with the dynamism of natural objects, creating an image like a memory that emerges. Plastic brushstrokes create a textural quality to the work, thus expressing the pulse of expression and life. Each painting is like a visualised musical melody for me, so I want the work to be ephemeral, cosy, and to give me light and good emotions."