The Second Before The Punch

Technique: Acrylic on canvas
Dimensions: 50x70 cm
€248.00
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Ready to hang on the wall
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More about this artwork

The painting captures a tense and dramatic moment in a boxing ring, emphasizing the intensity of a fight. In the foreground, a boxer with a fearful expression looks upward, anticipating the impact of a punch. His eyes are wide open, conveying a mix of determination and apprehension. He is wearing red gloves, and his skin is glistening with sweat, highlighting the physical strain and the stark atmosphere of the combat.Behind him, an opponent's arm swings with a blurred motion, indicating the speed and force of the incoming punch. This action is rendered with swift, dynamic brushstrokes that contrast sharply against the more detailed and focused depiction of the boxer's face. The background is chaotic and dark, evoking the tumultuous environment of the boxing ring, where the ropes and the blur of movement suggest a space dominated by fierce competition and physical drama.Color plays a crucial role in conveying the emotional weight of the scene. The use of dark tones and shadows around the boxer’s face enhances the sense of impending danger, while the bright streaks of white and blue on the opponent's glove and shorts introduce a dynamic element, emphasizing the swift motion and impact. Overall, the scene is charged with energy, suspense, and a palpable sense of vulnerability just moments before the critical impact.

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Painting in the interior
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Artist

Eugis Eidukaitis was born in Russia, Sibir on November, 1965 in a family of Lithuanian
exile. He grew up and spent big part of his life in Moldova, Chisinau. First touch to art started
there in Chisinau art school. Artist ended University and got medicine diplome, but art and
paintings were always a hobby and sometimes source of livelihood.
In 2000 he came back to Lithuania and started to draw and paint even more. Art became
constat thing in life. 

His favourite genre is the urban or natural landscape, but he is not tempted to romanticise or embellish them. Nevertheless, one can sense that his view of reality is forgiving and gentle. He looks for a distinctive beauty in each motif, which is revealed through the contrast of light and shadow, the vivid, soft colours.


Paintings and watercolor adorn dozens of private collections.