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Noon in August original painting by Gitas Markutis. Lithuanian Landscape Paintings
Noon in August original painting by Gitas Markutis. Lithuanian Landscape Paintings
Noon in August original painting by Gitas Markutis. Lithuanian Landscape Paintings

Noon in August

Gitas Markutis
Technique: Oil on canvas
Dimensions: 70x100 cm
€1,310.00

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More about this artwork

The painting depicts a serene rural scene dominated by golden fields under a vast, lightly clouded sky. On the left, a group of lush green trees stands next to a pair of buildings with dark roofs, possibly farmhouses. To the right side of the scene stretches another swath of fields, these ones a dull yellow, perhaps indicating a different type of crop or a variant stage of growth. A figure dressed in white, likely a woman, walks along a dirt path that curves through the center of the painting, leading from the foreground into the distance towards the farmhouses. This path, bordered by a small fence on one side, divides the fields, with rough, brown earth visible in patches where the path has worn through the landscape. The overall mood is tranquil, evoking the warmth and stillness of an afternoon in late summer.

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Artist
Gitas Markutis

Gitas Markutis has a firm place in the art world as an author of modern landscapes. In his works, we often see places in Lithuania that are familiar to most people, but we do not recognise them at first glance.

"Lithuanian nature is beautiful, but not all of the images you see in it are very picturesque, so you have to use your imagination to make the painting interesting. This is not always the case. In painting, sometimes you win, sometimes you lose, but I always try to win back," says the author. 

The artist often breaks down the visual landscape into geometric shapes, uses decorative contour lines, colour contrasts, and even if he chooses colours that are less pure and closer to nature, he often changes their ratio and proportion. The author likes to depict landscapes in which the union of nature and human works, architecture is revealed. In his paintings, historical architecture and nature always complement each other, emphasising each other's grandeur.

What we like most is the author's dynamic, purposeful and expressive touch, which gives a feeling of a light breeze, and the exceptional, unexpected, unexpected, artistic composition, which allows us to look at it from a different angle, and which at times even brings the landscape closer to abstraction.

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