Acrylic on canvas
65x55 cm
€590.00 €590.00
Bonfire 3
Technique: Ink, pens, paper
Dimensions: 42x59 cm
€212.00
Tax included
Recommended by our customers
More about this artwork
The painting vividly presents a striking scene set against a vibrant red backdrop with a black and white foreground. At first glance, the scene is filled with industrial motifs including a large crane, rustic buildings that resemble a shipyard or old factory, and an array of what appears to be shipping containers.Dominating the composition are several figures clad in red, drawing immediate attention. One figure on the left side is seated, looking directly out with an expression that conveys pensiveness or unrest. This figure's costume is reminiscent of a spacesuit or protective gear. To the right, standing atop what looks like a deck of a ship, another red figure holds a red flag, adding a note of defiance or declaration to the setting.Throughout the environment are surreal details that blend urban decay with fantastical elements; fish float in the sky like clouds, and various animals, including dogs and rats, are scattered throughout the scene, contributing to a post-apocalyptic or dystopian vision. The overall atmosphere is tense, loaded with a narrative that suggests themes of isolation, survival, and resistance.
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Gerda spent her early childhood playing in her dad's art studio and watching him work. As her interest in art grew, her parents encouraged her to pursue an art education, first at the Adomas Brakas School of Art and later at Gray's School of Art (Robert Gordon University). Gerda's artistic identity was formed while she was studying at university. She uses her paintings and illustrations as a visual diary, depicting reality with a pinch of spice.
Gerda's paintings are figurative, but instead of people, they depict animals surrounded by our familiar surroundings, engaged in our everyday activities. As the artist herself says, the animals reflect different sides of her personality. In the paintings, they are exploring their surroundings, enjoying their diplomas, taking selfies. The artist says that she painted this series as a diary, but not wanting to paint many self-portraits, she decided to replace herself with different animals. In this way, her works have also become more universal - in these animals we can recognise ourselves.
Gerda's work has been featured at New Designers 2019 in London, and at various art fairs in Lithuania, such as Jurassic Festival in Klaipėda and Vilnius Days.
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