Technique: Oil on canvas
Dimensions: 60x70 cm

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Lithuanian Art Gallery Paveikslai.lt
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The painting depicts two contrasting landscapes split horizontally. The upper half portrays a serene, wide-open sky in shades of blue, transitioning into a strip of distant green landscapes, perhaps denoting remote hills or a forest line under a spacious sky. The horizon is met with mellow, subdued colors, possibly signifying a sunset or the gentle heath of a fading day.The lower half of the painting vividly displays a close-up view of a rhododendron plant, distinguished by its lush green leaves that spread vibrantly across the canvas. The leaves are animated with strokes of green and hints of yellow, capturing the lively essence of the plant. The background juxtaposes with warm tones of orange and beige, evoking a sandy or earthy terrain that complements the greenery, suggesting a natural ecosystem where the rhododendron thrives. The use of color and texture in both segments of the painting emphasizes the beauty and diversity of natural landscapes.


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I was born in 1977 in Šiauliai.

I live in a small village in Bartkuski, in the middle of Lithuania.

I work mostly in spring and summer, when nature comes alive, because it is very important in my life and work. When I am in nature, I experience its vibration with all my senses, its constant stirring, its life. I don't look for a special environment for my motifs, it's everywhere under your feet; all you have to do is to put your eyes down and look at the rustling of the grasses.

In autumn and winter, I like to analyse a selection of wilted flowers, twigs, leaves... To embody in them the transience, the themes of constraint, stagnation, nostalgia.

In my summer work, various herbs, floral motifs, trees, fruits dominate. You won't find wide-open panoramas or fragments of homesteads. I don't look far for a motif, I often look at the little things right here, right under my feet. I'm interested in the rhythm of the wind, the vibrations of the air in the plants, the colour combinations.

I try to convey the feeling of painting in the presence of natural artefacts. I rarely detail the works in the studio, sometimes leaving them sketchy for the sake of a lively impression. This is very important to me.