Narcissus

Technique: Oil on wood
Dimensions: 150x70 cm
€1,878.50
€2,210.00

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The painting depicts a vibrant, abstract fusion of forms and colors. At the center is a prominent, skull-like figure painted in white, its hollow eye sockets and dental details suggesting a gaze outwards. This skull is set against a lush, emerald green background that plunges into deep, shadowy tones, evoking a sense of depth. Intriguingly, the skull appears partially submerged in this verdant liquid environment, with drips and splashes enhancing the illusion of submersion.Above and to the right, bursts of bright yellow encroach inward, resembling flowers or sunlight-dappled foliage, which contrast with the darker tones below. Adjacent to these yellow elements, small patches of pink and bold strokes of red add a dynamic variety to the composition. These warmer tones seem to float on the surface, creating layers of texture and color.On the lower part of the canvas, earthy browns and opaque whites are smeared and blended, providing a grounding effect that balances the floating sensation of the skull. The organic, fluid blending of these pigments gives the impression of a natural landscape, possibly the ground or a reflective surface like water.Overall, the painting offers a surreal visual exploration of nature, death, and beauty, intermingling textures and colors in a way that invites contemplation and introspection.

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Painting in the interior
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Artist

The author has entered the Art World within unbelievably short period of time. Her very first works were noble because of their active creative imagination, vivid ideas, the multi-layered pictorial language. Her case is uncommon, having in mind a break-through of inherent abilities which under favourable conditionsaccomplish a breach of established rules and unclose unexpected formations.

Works of L. Zareckaite reveal multi-targeted reality and alternation of the world, fragility of existence. We accept them through sensory perception and by seeing a vital power of the artist‘s touchthat occurs at the time of speculation about human feelings, experiences, their diversity. I wish everyone a closer look at theimages of human world created by the artist who begins her way in the world of art. To that end she sensitively uses various colours, brushstrokes of different configurations which weave complex rhythmic compositions.

Active colours which dominate in the pictures created by the artist are coated with several layers. One colour is applied on another colour, oil-based paint and acrylic paint are used at the same time, they turn into colour stains, the touches of drastic brushstrokes “rough up” surfaces or turn into calm glaze. However both, i.e. paint and brushstroke motion freeze in the position which is seen as appropriate by the author.

Rūta Marija Purvinaitė

Art critic

Technically the author uses impasto painting that is characterized by high relief, i.e. the painting does not require a palette since the author uses a canvas surface instead of a palette.For the same reason the painting is seen as multi-layered, it speaks through overlaps and exposures. It is obvious that the author is delighted by painting process itself and the opportunities arising from it, having in mind the opportunities to play with paint mass. The viewer's eye is granted with almost sensual pleasure to travel through “surface landscapes” which have developed thanks to the author’s games.

Associate Professor Doctor Stasys Mostauskis

Currently, the artist lives and works in Amsterdam, Holland.