Technique: Oil on canvas, 2014
Dimensions: 40x50 cm

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The painting depicts a chaotic assemblage of onions and their green shoots splayed across a vague, indistinct background. The onions are rendered with a mix of earth tones—yellows, oranges, and whites—atop a sheet, which bears scribbled text and blotched paints in red and blue, suggesting an underlying layer of human markings or newspaper. Some onions are whole, while others are partially peeled, revealing their layered interiors. Their green shoots, some of which appear wilted, stretch outward in energetic strokes, filling the composition with a sense of organic movement. The painting conveys a rustic, almost decomposing charm, emphasizing textures and the natural decay of organic matter.


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"I consider myself to have a classical background in painting, because a classical understanding of painting through composition, colour and touch is important to me. A broad knowledge of the development of art leaves a lot of room for experimentation, for combining with another discipline, for using mixed techniques. Echoes of art from avant-garde or, say, "outsider" art, or any kind of fringe work, do not distinguish the aforementioned "classical" perception. The works presented here are created at different times, which results in a rather radical stylistic diversity that prevents placing the person (the artist) in an art-historical shelf, giving a "clearer face", but at the same time testifying to the activity of thought, influences and constant change," the artist introduces himself.