Sunrise in The Arctic

Technique: Oil on wood
Dimensions: 65x100 cm

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In the painting "Sunrise in The Arctic," a muted, expansive off-white backdrop dominates the scene, punctuated by subtle shifts in tones ranging from soft yellows to gentle creams. Near the center left, the silhouette of a small cluster of pine cones adds a delicate touch of detail to the otherwise minimalistic landscape. On the right, a stark, elongated ladder stretches vertically almost to the edge of the canvas, its rungs sharp and defined, contrasting with the soft, ethereal quality of the background. The textures suggest a blend of smoothness and slight ruggedness, possibly evoking the icy coldness of the Arctic environment, while streaks and drips at various points add movement and a raw, organic feel. This visual simplicity likely intends to evoke the serene and pristine atmosphere of an Arctic dawn.


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I carry my world in the skirt tails. There you could find a glassy bottle of ideas, a quill, and an old paint brush, the joy of life, anti-fog glasses, a drop of impatience and three oceans of serenity. There also are thousands of walls, painted in millions of colours and endless spacious meadows full of sun, willow trees and every emotion I could ever feel. My paintings are the mirrors of those emotions, colours and the entire world itself.

My abstractions consist of paint marks, contrasting combinations of colours and sense of vibration. Various emphasized rough textures, running down paints are creating forms and figures, which associate differently for every person. My paintings give a feeling, not a clear subject, not an obvious story. It gives you an emotion and a beginning to create your own story of your own world. I don't want you to try to understand what it is shown in the paintings, I want you to feel it and I want your imagination, your unconsciousness to estimate it.

My inspiration comes from the entire world, actually from the way I feel the world, from my bond to it. It comes from stillness and chaos, from urbanism and nature, from my own ideas, and thoughts given to me by others, from antithesis. Because one emphases other. From the art side I enjoy impressionists and post-impressionists, who show the way they see their world. I also like to look at the works, which reflect playing with paints, forms, textures.

But the most important element in my creation process is the nature because it calms me down, concentrates my mind to be open for ideas. I am a tree, my branches always ready for the spring. And when I am waiting peacefully idea comes, just as a lightning. I have never asked anyone where it comes from, and why this way. I humbly take these ideas and put them on the canvas. Gods are playing with me, and my works play with you.