History of the manor

Technique: Oil on canvas
Dimensions: 110x90 cm
€1,490.00

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In the painting, an ornate chair with a richly decorated high back stands prominently in the foreground. The backrest features an intricate emblem featuring a classic figure, possibly indicative of noble heritage or historical significance. The chair’s seat and armrests are also adorned with detailed, elegant patterns, contributing to its regal appearance. This chair is set against a softly blurred background depicting a serene, lush landscape. Luminous and airy, the scene is dappled with light and shadows that seem to dance among the trees, suggesting a park or garden belonging to a grand estate. The sky above is a clear, tranquil blue, enhancing the atmosphere of calm and timelessness. The ground around the chair is a mix of rustic earth tones with hints of burgundy, adding a touch of abstract beauty and perhaps symbolizing the rich history of the place. The overall effect is one of isolated majesty and quiet reflection, as if the chair is waiting for its rightful occupant to return and reclaim a moment in time.

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I am a middle generation Lithuanian artist. The generation that is the first one to be able to freely engage in creative work after long years of occupation and censorship. As an artist, I appreciate this very much. My worldview was formed during the years of the turning point, during the change of the system. When I think of myself in that period, I can't help but wonder how much idealism and belief in something good and bright there was at that time. I guess that's what brought naivety, romanticism, light, the search for pure colour into my paintings. I would describe myself as a representative of Romantic Surrealism. In my works I do not try to shock or frighten the viewer, but I try to transport the viewer to another reality, to create a dialogue with the viewers by artistic means.

My work is realistic, but I don't like to portray nature and things as they are. I transform them, I create a unique, artistic world where animals, nature and objects interact. The animals in my paintings are characters through which I communicate with the viewer. Usually the animal characters are looking at you, they want to say something, they speak with their eyes. Nature is also indirectly represented in my works, but transformed, adapted to a specific artistic idea. A transformed character, a recreated nature motif creates a surreal image, a surreal world. It's like an escape from reality by realistic means. It's like creating a dream when you're not sleeping.

The start of my working day is banally uninteresting. I just get up in the morning, have a coffee and go to the workshop, as I say, go to work. I never wait for some inspiration to take me to the easel. It's the other way around, at first I just stand in front of a blank canvas or a painting that I've started, and that's what gets me going, the desire to do something, to create something, and that's probably when the inspiration comes. I really like to paint to music. The music has to be calm, not loud, so that it doesn't interfere with the concentration on the painting. My studio is also full of papers that are thrown on the ground or lying neatly in a corner. It's an archive of ideas, which is very important so that you don't forget the idea that has popped into your head.

I often start a new painting without a title. It's just a visual idea. In the course of the work, I get to know the character that I am portraying. When I paint I often invent stories related to the painting, in other words I create not only an image on the canvas but also a small story. Often these stories are ironic or humorous.

Lithuanian Artists’ Association Member

Lithuanian Artists’ Association Member

This artist was acknowledged by the Ministry of Culture of the Republic of Lithuania

This artist was acknowledged by the Ministry of Culture of the Republic of Lithuania