Hotel Near Apaščia

Technique: Oil on canvas
Dimensions: 60x80 cm
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The painting depicts an idyllic scene with a two-storied building constructed in a classical architectural style, standing by the edge of a serene body of water. The structure features several arched doorways and windows, slightly worn with time, painted in soft hues of peach and beige contrasted against darker outlines. A silver-gray roof complements the building's aged aesthetic. In front of the building, there's a well-manicured, rocky shoreline, and a reflection of the building and trees shimmer in the water, mirroring the lively dance of vivid blues, hints of pink, and touches of white, suggesting ripples caused by a gentle breeze.A tall tree in the foreground, on the left of the painting, is adorned with bright yellow leaves, contributing to an atmosphere of autumn. Some branches extend over the water, casting shadows and dropping a few leaves onto the surface. The background and surroundings of the building are lush, with rich tones of golden yellow and deep green, implicating a dense, tranquil grove that encloses the scene with a sense of remote peacefulness. The light seems to be playing through the foliage, creating a dynamic interplay of shadow and brightness across the scene.


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Born in 1961, Vidmantas Jažauskas is a graduate of the Vilnius Academy of Arts. In his paintings, viewers will find the fundamental values of painting. The artist, who has been systematically painting in seclusion for many years, avoids the hustle and bustle of exhibitions and does not seek to highlight his personality. Inner warmth, a wide range of emotions, and the uniqueness of each work are important qualities for an artist who seeks to show that the classical traditional manner of painting is not exhausted, and that he has infinite reserves. However, although Vidmantas Jažauskas follows the classical tradition of painting, his paintings are distinguished by their colours, their contrasting combinations and the colour patches used to construct forms. The artist is not so much interested in small, individual details, but in the whole, as if looking at everything from afar and squinting a little. The artist's inspiration usually comes from Lithuanian nature and cities. In the summer, the artist participates in plein-air workshops, works a lot outdoors, and spends his winters in the city, and then we can see the streets of Kaunas or Vilnius on his canvases, but the author prefers the romantic Užupis to everything.

Lithuanian Artists’ Association Member

Lithuanian Artists’ Association Member

This artist was acknowledged by the Ministry of Culture of the Republic of Lithuania

This artist was acknowledged by the Ministry of Culture of the Republic of Lithuania