Angel and the white house

Technique: Oil on canvas
Dimensions: 100x100 cm
€3,650.00

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More about this artwork

The painting depicts a somewhat abstract and textured scene with rich earthy tones and a play of various materials. On the left half, a large, slightly curved structure composed of various shades of brown and neutral colors creates a striking vertical presence on a deeply textured background, giving a tactile sense. The structure appears segmented, almost like layers or bricks. To the right, there is a similar form but constructed with lighter patches, possibly representing a contrast or a different materiality.A simple blue line horizontally cuts through the midpoint of the canvas, bringing a splash of color to the dominantly brown and white scheme. Below this line, a portion of white with rough and scraped textures possibly represents the title's "white house," though it's rendered abstractly. A dark, amorphous shape sits alone near the lower edge on the white segment, pulling the gaze with its stark contrast.Above the blue line is a circular form with a ring around it, painted in a lighter, golden tone, which hangs delicately, almost like an abstract representation of a celestial body or a metaphoric element. The overall mood feels serene yet mystically charged, evoking a sense of contemplation or spiritual resonance. The style and composition suggest a fusion of abstract expressionism with symbolic elements, inviting viewers to explore personal interpretations.

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Artist

Member of the Union of Lithuanian Artists since 1995. The creative biography of Rytas Jurgelis includes almost three dozen personal exhibitions, his works are spread not only in Lithuania, but also beyond its borders.

The two most important features of R. Jurgelis's painting - color and texture - and the long-loved geometric form - the square - give the whole an exceptional variety, without losing the subtle tone of lyricism.

The works reflect not a battle of colors, which comes first, but a synergy. The expression of colors as bearers of emotional states is combined with the suggestiveness of the material substance of oil paints. Materiality is accentuated by the gloss or mattness of paint, textural surface patterns left by painting tools, scratches and the relief of textures, height changes. This is achieved by formally applying layers of paint, which can be seen from the side, sometimes through the front, and sometimes it is enough to sense them.

Layered and colored dermis not only form new variants of painting surfaces and the expressive emotional states they create. They also contain associative connections, say with taste, smell or smell. Thus, storms of feelings are raging in every square plane, dramas or silent agreements are taking place, narratives are emerging, the universality of which allows everyone to accept what is happening in front of their eyes in their own way. The author helps in searches, but in his own way, concisely and minimally.

Art critic Kristina Jokubavičienė

Lithuanian Artists’ Association Member

Lithuanian Artists’ Association Member

This artist was acknowledged by the Ministry of Culture of the Republic of Lithuania

This artist was acknowledged by the Ministry of Culture of the Republic of Lithuania

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