Fields

Technique: Oil on canvas
Dimensions: 40x40 cm
€190.00
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More about this artwork

The painting presents a vibrant, textured landscape divided horizontally into distinct bands of color and material, each representing different natural elements. The lower section features a lush green field, rich in strokes of varying shades of green, suggesting vigorous, wind-swept grass. Above this, a band of brown simulates a tilled field, its surface marked with lines and grooves indicative of agricultural activity, providing a contrast in both color and form to the greenery below.Further up, a strip of white intercepts, perhaps representing a road or a pathway, its smooth and less textured appearance breaking the pattern of natural terrain. Adjacent to this, a narrow layer of dark soil appears, offering a visual and textural contrast to the lighter strip before it.The uppermost part of the artwork is dedicated to the sky, executed in a tumultuous assembly of blue tones interlaced with white, capturing the dynamic and ever-changing formation of clouds against a bright sky. The painting as a whole captures a scenic view of the countryside, rendered in a thick, impasto technique that adds depth and vitality to the scene, emphasizing the raw beauty and rugged texture of the natural landscape.

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K. Česonytė graduated from the Mažeikiai Art School.
She painted her first oil on canvas in 2008.

"In my painting I do not try to replicate what photography does. I am not trying to please anyone with my painting. I don't create "popular art", I want to be and I am wherever my hand strokes and colours lead me. When I start painting, I never know what my work will look like in the end, because the beginning promises one thing and the end promises something else."

K. Česonytė's paintings are variations of expressionist painting: shimmering, vigorous brushstrokes, expressive paint textures, which she often uses as if to "glue" shapes, objects and landscape elements.

In terms of genre, the range of her work is quite traditional. It is dominated by landscapes, but she has also painted a series of still lifes, a number of urban scenes, and one other generalised portrait.

However, other aspects of Česonytė's paintings bring her closer not so much to classical modernist art, but rather to images of the contemporary mediated world. "My working tools are the computer and virtual space", she says. The images in her paintings do not come from reality, but from a virtual or secondary reality. But for a creative artist, this is just a springboard, or a starting signal, freeing the imagination and the hand. Most often in her work, the secondary reality, or the accidental motif, and the artist's imagination are inextricably intertwined. The images suggested by contemporary media become authentic, deeply and sensitively experienced by the painter herself.
Art critic Kristina Stančienė

In July 2015, the first solo exhibition of paintings, "Ateinu" (I'm Coming), was held at Pylimo Galerija.
Today, she has painted around 200 works. More than 50 works have been purchased by private individuals and some have been donated.