Observations

Technique: Oil on canvas
Dimensions: 100x90 cm
€680.00

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Lithuanian Art Gallery Paveikslai.lt
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More about this artwork

The canvas bursts with vibrant, organic shapes intertwining in a chaotic yet harmonious composition. A variety of colors dominate the scene, ranging from deep blues and purples to fiery reds and gentle greens, suggesting a lively natural setting. Abstract forms resemble vegetation, perhaps leaves and flowers, swirling around an implied central axis, reminiscent of a twisting tree trunk or vine. Streaks of white and pale hues add a dynamic contrast, giving life to possibly petals or flowing water. Intricate patterns, like a spider's web, connect some elements, adding depth and a sense of interconnectedness to the ecosystem depicted. This work seems to capture the essence of nature's complexity and beauty, inviting the viewer to immerse in a sensory exploration of texture and color.

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Painting in the interior
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Artist

"Ever since I became consciously aware of myself, I have been looking for the element of mystery, the sacred, open communication with my senses and the unexpected insights that come from it.

The physical image is like a decoration, an temporary thing. It transforms, it changes in time and space, and the message it carries beyond the image, it does not change, only our relationship to it. I realise, especially in the last ten years when I have been actively expressing myself in painting, that I am also changing, seeking a connection with the information that is programmed into the universe. I am interested in the search for the relationship between matter and non-matter, in scanning the inner space, in the deep sense of the true meaning that lies somewhere beyond the physical appearance," says the artist.


Just as the artist searches for a bridge between the visual reality and transcendence, her work balances between the figurative and the abstract. Expressive, strong brushstrokes merge into shapes and disperse again, you seem to see something recognisable and the motif escapes you again. Here, the viewer has to rely on the language of colour and, by leading from one association to another, discover what the painting is saying to him.