Oil on canvas
80x60 cm
€410.00 €410.00
Autumn is leaving
Technique: Oil on canvas
Dimensions: 80x100 cm
€554.00
Pay now or in 4 installments of 138,50 €
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More about this artwork
The painting is an abstract composition that primarily uses a cool palette of blues and grays, intertwined with warmer tones of beige and cream, creating a sense of both melancholy and subtle warmth. The artwork is characterized by fragmented shapes and forms that resemble leaves, perhaps wilted or in a state of decay, indicative of the autumn season. These forms are layered and overlapping, with a sense of depth and texture achieved through varying transparencies and the application of what appears to be cracked paint or a similar technique which adds a tactile quality. This fragmented aesthetic might evoke the sense of disintegration and the melancholic passing of time. The interplay of light and shadow, alongside the network of lines that recall bare tree branches or drying vines, further complements the theme of autumn’s end. The composition feels both organic and disjointed, mirroring the natural yet fleeting beauty of autumn as it transitions into a colder, dormant season.
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Painting in the interior
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Picture in the interior
Technique
Oil on canvas
Measurements
Height: 80 cm
Width: 100 cm
Width: 100 cm
As far back as she can remember, Lina liked to draw. Since she was a child, she saw her dad painting. It was very interesting to see how the image developed on the white canvas. Those memories helped her decide on a career. She graduated from Kaunas School of Applied Arts and later continued her studies at Vytautas Magnus University, Faculty of Arts. She works as an exhibition curator, so her work is intertwined with her interest in painting. Since 2008, she has been actively participating in painting plein-air exhibitions, exhibitions, and since 2015 in international exhibitions and plein-air exhibitions.
In Lina's works, new worlds seem to unfold, explode and burst, new universes open. Everything here is in constant flux, swirling, bubbling, or moving in slow motion, but nothing stands still. Occasionally, a familiar detail emerges and disappears again. It is as if in a dream, as if in a meditative thought, where we are no longer in control of the situation, but floating on the powerful current of being.
,, ....when I paint, I discover a different world, a different me, new experiences and emotions. It is good to escape from reality and plunge into the depths of imagination, colours and sensations, to appear where the real and the untouchable intersect...."
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