Kiters

Technique: Oil on canvas
Dimensions: 40x40 cm
€290.00
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Ready to hang on the wall
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More about this artwork

The painting captures a vibrant scene of kite surfers gliding over a lively sea. The sky, rendered in a rich, deep blue, serves as a dramatic backdrop for three oversized, brightly colored kite sails—red, dark blue, and yellow—are prominent against the darker hue, almost pulsating with energy, each connected by thin lines to tiny figures below. These kite surfers, painted as small, dynamic forms, harness the power of the wind, their movements creating splashes across the textured, choppy surface of the water, depicted in tones of blue and white, which reflects light and enhances the feeling of a bustling marine environment. The lower part of the artwork, lighter at the horizon, suggests a distant shoreline washed in softer, muted colors, providing a sense of depth and scale to the scene. The artist's palette knife technique adds a sense of immediacy and rawness to the water, which contrasts with the smooth expanse of the sky.

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K. Česonytė graduated from the Mažeikiai Art School.
She painted her first oil on canvas in 2008.

"In my painting I do not try to replicate what photography does. I am not trying to please anyone with my painting. I don't create "popular art", I want to be and I am wherever my hand strokes and colours lead me. When I start painting, I never know what my work will look like in the end, because the beginning promises one thing and the end promises something else."

K. Česonytė's paintings are variations of expressionist painting: shimmering, vigorous brushstrokes, expressive paint textures, which she often uses as if to "glue" shapes, objects and landscape elements.

In terms of genre, the range of her work is quite traditional. It is dominated by landscapes, but she has also painted a series of still lifes, a number of urban scenes, and one other generalised portrait.

However, other aspects of Česonytė's paintings bring her closer not so much to classical modernist art, but rather to images of the contemporary mediated world. "My working tools are the computer and virtual space", she says. The images in her paintings do not come from reality, but from a virtual or secondary reality. But for a creative artist, this is just a springboard, or a starting signal, freeing the imagination and the hand. Most often in her work, the secondary reality, or the accidental motif, and the artist's imagination are inextricably intertwined. The images suggested by contemporary media become authentic, deeply and sensitively experienced by the painter herself.
Art critic Kristina Stančienė

In July 2015, the first solo exhibition of paintings, "Ateinu" (I'm Coming), was held at Pylimo Galerija.
Today, she has painted around 200 works. More than 50 works have been purchased by private individuals and some have been donated.