Voodoo dolls

Technique: Oil on canvas
Dimensions: 100x140 cm
€1,310.00

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The painting depicts two central figures, rendered in a vibrant, expressive style against a vivid blue background. The figure on the left is predominantly white, with a skeletal appearance, featuring hints of green and a prominent abstraction that suggests an open mouth in a scream. Its head tilts backward in a dramatic, possibly anguished pose. Dashes of red and other colors accentuate this figure, which has pins sticking out of it, aligning with the notion of a voodoo doll.The second figure on the right contrasts the first, primarily dark with outlines and features highlighted in green and yellow. This figure holds a distinct, stick-like object in its hand possibly depicting a needle or a pin, reinforcing the supernatural theme of voodoo ritualism. It stands upright and has a more solid, yet still abstract form, with skeletal cues similar to the first figure.The space between and around the figures includes sparse, abstract elements. Lines and shapes in green, red, and white populate the foreground, suggesting additional objects or perhaps symbolic representations relating to the scene depicted. The rough, horizontal strokes in the lower section of the canvas might represent a grounding element, like land or a horizon line, adding a base to the surreal and colorful tumult above.

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Arvydas Martinaitis was born in a family of prominent Lithuanian artists. He is the son of the famous Antanas Martinaitis, and the grandson of the cartoonist Jonas Martinaitis. The author himself says of the almighty genes: "The creative ambitions of my grandfather, father and uncle were passed on to me. I feel as if I am encoded. Maybe I could go a few months without a brush and a canvas, but soon I would start using art again." But we won't go on about family ties and comparisons - we want to tell you as much as possible about Arvydas, who, like his predecessors, is making his own path in the art worl.

You will always recognise Arvydas Martinaitis's paintings first and foremost from the bright colours, the thick textures, the expressive brushstrokes, and the very impression of the abundance of everything: plants, houses, people, animals, both real and fictional. It is this abundance, which conveys the artist's inner, optimistic world, that invites us to join him on an adventure of exploration and discovery.

For the artist himself, the most important thing is to convey the emotion of the moment, to capture its fragility, as he says, "not to redraw a old sketches, but to create on the spot, otherwise it will be a copied sketch, a frozen drawing. The painting will have no spirit." Therefore, Arvydas puts down the canvas with feeling, and works hastily until the emotion is gone. You feel tired, he says, and you could leave the work for the next day, but the next day you won't get the feeling.

And after painting, Arvydas finds it even more important to share his work with others, "because when you close the door of the studio, it seems to be a pleasure that only the artist feels and experiences, but I want to share it." So, we share and we hope that like us, you will engage with Arvydas's life-changing, crowded, dynamic works.

Lithuanian Artists’ Association Member

Lithuanian Artists’ Association Member

This artist was acknowledged by the Ministry of Culture of the Republic of Lithuania

This artist was acknowledged by the Ministry of Culture of the Republic of Lithuania