TO BE BY THE SEA

Technique: Acrylic, canvas, bronze
Dimensions: 100x150 cm
Year of creation: 2024
€1,490.00

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More about this artwork

The painting features a subtle, abstract seascape rendered in soft hues of blue, white, and beige. Broad, sweeping brushstrokes dominate the composition, suggesting the expansive nature of the sea and sky. On the left side, a hint of texture resembling a fine mesh or net overlay fades into the muted background, adding a tactile dimension to the scene. The horizon is vaguely defined, blurring the distinction between water and air, evoking a serene, dreamlike state. Delicate interplays of light and shadow hint at distant shores or reflections on water, further enhancing the theme of tranquility by the sea.

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Artist

Dalia Kirkutiene's work is vigorous and expressive, and the most important thing for her is to convey a feeling and emotion. The task is not easy, but the artist undertakes it with enthusiasm. After many years of exploration, the artist turned to abstract painting and discovered the technique of pouring, which is so well suited to convey the intangible. Pouring paint may seem simple at first glance - in fact, playing with chance and controlling the flowing paint requires great skill and intuition. The patterns of paint runs have already become the artist's signature.

To purify the idea, the artist chooses a minimal colour palette; when colours are abandoned, the focus is on the original composition, and when they do appear, they play an important role - they become the main carriers of the message. Other important codes are contained in the title and in the occasional outlines of recognisable shapes that appear in the works.  However, these are only indications for the viewer's interpretation - in this way, the author tries to avoid banality and clichés. Kirkutienė herself says that she does not like prose in her paintings and prefers the freedom of poetry, preferring to convey the desired impression and emotion not with a concrete image, but with colour and verbal associations.

The dialogue with the viewer is extremely important to the artist - in the eyes of the viewer, the work is  reborn. Therefore, the artist does not want to impose anything on the viewer, because the most important thing is what the viewer himself sees in the work, what he finds in it that is close to him, and no one can say that his interpretation is incorrect.

The author is a graduate of the VDA Textile Studies at Kaunas Faculty. Now lives and works in Klaipėda. She is a member of the Lithuanian Artists' Union.

The largest project is nearly 200 paintings for the Pacai Hotel.

Exhibitions at ArtVilnius 19, Berlin, Paris and more than 30 in Lithuania.

Lithuanian Artists’ Association Member

Lithuanian Artists’ Association Member

This artist was acknowledged by the Ministry of Culture of the Republic of Lithuania

This artist was acknowledged by the Ministry of Culture of the Republic of Lithuania