A Chair based on Kale's children

Technique: Oil on canvas
Dimensions: 110x90 cm

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In the painting, a solitary chair is depicted against a muted yellow backdrop, with its deep teal hue starkly contrasting with the warm tones behind it. The chair is centered in the composition, its form casting a soft, elongated shadow to the right, and a more distinct darker silhouette directly beneath it on the blue-green checkered floor. The bold, straight lines of the chair's high, narrow back and square seat inject a precise, structured element into the otherwise soft and ethereal setting. The surrounding space, imbued with a sense of stillness and introspection, highlights the humble, everyday object, suggesting a narrative or memory imbued within the ordinary.


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Painting in the interior

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I have graduated in painting at Klaipėda Academy of Arts, since 2015 I started working at the Klaipėda Drama Theater as an artist - decorator. The acquired practical and theoretical knowledge was very useful when working with scenographers and creating decorations. Creative work opened up even greater opportunities for painting, to flexibly and creatively rely on the achievements of art and science, to think critically, analytically and systematically.

First, I always go deeper into the concept of my idea, only then do I approach the pictorial representation. Continuous creative process, deep reflection of one's ideas leads to visual thinking about a person and his place in the world. I think that painting should establish a connection with the environment and not only reflect the world, but also raise questions and change people's point of view.

In my work, I choose topics related to the reflection of human existence, I strive for an objective approach to the world of human values, the dual nature of man. During the work process, I always rely on the impression of the natural world, spontaneous expression - improvisation and inner feelings - composition. I always look for and find something that reminds me of the human relationship with being. I believe that there are no completely weak or strong people, so finding references deep in the past, discovering what we have already experienced is inevitable. It is a constant journey outside the everyday, where the return to the present becomes a symbol of rebirth and renewal.

I actively participate in art actions, group exhibitions. I have organized 14 personal painting exhibitions.

Since 2021, a member of the Union of Lithuanian Artists.

Lithuanian Artists’ Association Member

Lithuanian Artists’ Association Member