Pearl Fisher

Technique: Oil on canvas
Dimensions: 50x40 cm
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More about this artwork

The painting depicts a naked figure seated on the ground, their body bent forward with their head resting down, obscuring any specific facial features. The figure is positioned in a curled, introspective pose, with knees drawn up close and arms wrapped around the lower legs. Although gender specific details aren’t vivid, the smooth lines and gentle contouring suggest a delicate treatment of the human form. The color palette is muted with shades of gray, beige, and pale blues that shimmer subtly across the skin, possibly implying a wet or moisture-laden atmosphere. To the side, a darkly shaded seashell stands out against a lighter patch, which might be evoking the title "Pearl Fisher". The background is abstract and simplistic, utilizing broad, sweeping brush strokes of blues and grays that suggest a vague boundary between a rocky terrain and the airy space above. The overall mood is melancholic and contemplative, possibly reflecting the solitude of pearl fishing or the depths to which one must dive, both physically and emotionally, to retrieve treasures.

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Born in 1961, Vidmantas Jažauskas is a graduate of the Vilnius Academy of Arts. In his paintings, viewers will find the fundamental values of painting. The artist, who has been systematically painting in seclusion for many years, avoids the hustle and bustle of exhibitions and does not seek to highlight his personality. Inner warmth, a wide range of emotions, and the uniqueness of each work are important qualities for an artist who seeks to show that the classical traditional manner of painting is not exhausted, and that he has infinite reserves. However, although Vidmantas Jažauskas follows the classical tradition of painting, his paintings are distinguished by their colours, their contrasting combinations and the colour patches used to construct forms. The artist is not so much interested in small, individual details, but in the whole, as if looking at everything from afar and squinting a little. The artist's inspiration usually comes from Lithuanian nature and cities. In the summer, the artist participates in plein-air workshops, works a lot outdoors, and spends his winters in the city, and then we can see the streets of Kaunas or Vilnius on his canvases, but the author prefers the romantic Užupis to everything.

Lithuanian Artists’ Association Member

Lithuanian Artists’ Association Member

This artist was acknowledged by the Ministry of Culture of the Republic of Lithuania

This artist was acknowledged by the Ministry of Culture of the Republic of Lithuania