Cornflowers

Loreta Zdanavičienė, born on March 11, 1962, in Tauragė, Lithuania, is a distinguished artist and art educator. She completed her studies at the Fine Arts Faculty of Vilnius Art Academy in 1988, establishing the groundwork for her unique artistic expression. Since 1990, Loreta has taken part in a multitude of art exhibitions, both solo and group, with her paintings featured in 21 solo exhibitions and more than 100 group shows. Her works are included in private collections both in Lithuania and internationally, which attests to her broad appeal and acknowledgment.

A member of the Lithuanian Artist Association since 2002, Loreta Zdanavičienė has further reinforced her dedication and influence within the national art community. She is recognized not only for her creative achievements but also for her perceptiveness and pioneering techniques in art. Loreta is frequently characterized as a painter whose works surprise and engage the viewer, most notably through her singular method of using antique embroidered textiles as canvases for her paintings.

Loreta’s exploration with embroidered linens began in 2002, when the "Letters to the Past" exhibition at the St. John’s Street Gallery first revealed her paintings on vintage embroidered cloth. Her deep reverence for historical artifacts consistently permeates her art, whether she interprets physical objects or paints directly on these time-worn textiles. Her compositions often incorporate depictions of plants, flowers, and patterned fabrics—motifs she chooses with care for their historical and visual significance. Each painting is painstakingly layered over the original embroidery, preserving the fabric’s heritage while seamlessly blending in her own artistic perspective.

The histories interwoven in these embroidered fabrics are essential elements within Loreta’s art, offering profound personal and cultural resonance. By working on handcrafted textiles, she extends the stories these fabrics contain, guided by their inherent colors and motifs. Her "Embroidered Histories" series not only highlights women’s artistry and the traditions of dowry textiles but also calls to mind the ancient Lithuanian sutartinės—polyphonic harmony songs. As artist and art historian Rita Mikučionytė remarks, Loreta employs her "painting voice" to symbolically sing with the embroidery’s original creators, breathing contemporary life and interpretation into the enduring heritage of textile arts.