No. 5

Technique: Acrylic on canvas
Dimensions: 70x100 cm

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The painting evokes a landscape shrouded in mist and ambiguity. In the foreground, subtle hues of blue, teal, and hints of green meld together, suggesting the presence of water or a marshland. These colors appear to be floating or dissolving into a reflective surface, enhancing the sense of depth and fluidity. Above this watery base, the middle section of the artwork features a more tumultuous mixture of deep blues and purples, interspersed with white and lighter blue strokes that might depict the turbulent sky or distant mountains. This patch of intensity in the color palette seems like a moment of chaos or a break in the storm. The upper part of the painting transitions into a vast expanse of muted beige and gray, conveying a heavy, overcast sky that dominates the scene and casts an overall mood of serenity and stillness. This soft gradient of colors from the intense activity in the middle towards the calmness at the top and bottom frames a landscape caught in a fleeting, ethereal light. The brushwork is loose and expressive, adding to the impressionistic feel of the scene, where forms and elements merge seamlessly and nothing is distinctly outlined.


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Abstract art leaves a lot to the imagination of the observer. I often avoid giving my paintings specific titles, I don't want my vision to be imposed on the viewer of my paintings, leaving them free to interpret and feel in their own way. I enjoy colour and brushstroke. The planned idea is completely ephemeral, often changing in the process of painting and leading me down its own path, delighting me with an unexpected result, as if it were autonomous in thought and body, independent of the creator. 

I am always experimenting, looking for my own way and style. But it is the wandering, the discovering, the experimenting that most delights and surprises me. I try out different styles, I look for new techniques. But I always remain faithful to the modern style, to abstraction.