Close in Soul

Technique: Oil Pastel on Wood Panel
Dimensions: 150x85 cm
€1,310.00

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In the painting "Close in Soul" by Daina Maslauskaitė, ethereal forms and colors merge into an abstract, dream-like vision. Dominated by soft, swirling textures, the canvas showcases hues of beige, pale blue, white, and hints of brown and gold. These colors meander and twist, suggesting a gentle motion. In the central part of the image, lighter shapes that could be interpreted as figures appear to ascend towards a luminous source at the top, bathed in a bright, creamy light. The visual flow from the bottom to the top could be seen as symbolic, perhaps reflecting a journey, spiritual in nature, linked by the shared gradient and tone of the surrounding colors. The figures, though abstract and faceless, emanate a sense of peacefulness and an intimate connection, as if they are moving together in harmony. The overall impression is one of unity and transcendence, evoking a feeling of closeness beyond the physical realm.

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Daina Maslauskaitė Light (born in 1979) began her independent creative career two decades ago, later completing her bachelor's and master's studies at the Academy of Fine Arts. In her master's thesis she explored the subjective expression of the artist's total (or holistic) experiences in painting, and in it she formulated and theoretically justified her own conception of her work.

The artist's work is distinguished by the fact that it speaks about the architecture of the inner reality of the human being, where the path to the true self, the dialogue with the world and the inner kung-fu happening in one's soul, are among the most important themes of her work.

The pictorial form is born in the process of self-purification through meditation and other autogenic practices, "building" sensitive, harmonious, sometimes complex relationships with the greater whole - the World, the Universe, the Creator, allowing the inner transformation to take place. In her search for a pictorial form, the artist seeks to feel, see and experience the changes in the outside and in herself as an inseparable unity. Colour and composition emerge intuitively, just as the vision and idea of the painting itself is born out of an intuitive search for the deepest source beneath the visual reality, which often correlates with expressive outbursts of spontaneous impulse.